told me it took four tries—one call to South Dakota, one to New Mexico, one to Arkansas—until he had the rental where we’re going to live now.
A few minutes later we see scattered lights that announce the town. We pass a sign that reads:
WELCOME TO PARADISE, OHIO POPULATION 5,243
“Wow,” I say. “This place is even smaller than where we stayed in Montana.”
Henri is smiling. “Who do you think it’s paradise for?”
“Cows, maybe? Scarecrows?”
We pass by an old gas station, a car wash, a cemetery. Then the houses begin, clapboard houses spaced thirty or so feet apart. Halloween decorations hang in the windows of most of them. A sidewalk cuts through small yards leading to the front doors. A traffic circle sits in the center of town, and in the middle of it is a statue of a man on horseback holding a sword. Henri stops. We both look at it and laugh, though we’re laughing because we hope no one else with swords ever shows up here. He continues around the circle and once we’re through it, the dashboard GPS system tells us to make a turn. We begin heading west, out of town.
We drive for four miles before turning left onto a gravel road, then pass open cut fields that are probably full of corn in the summer, then through a dense forest for about a mile. And then we find it, tucked away in overgrown vegetation, a rusted silver mailbox with black lettering painted on the side of it that reads 17 OLD MILL RD .
“The closest house is two miles away,” he says, turning in. Weeds grow throughout the gravel drive, which is littered with potholes filled with tawny water. He comes to a stop and turns the truck off.
“Whose car is that?” I ask, nodding to the black SUV Henri has just parked behind.
“I’m assuming the real-estate agent’s.”
The house stands silhouetted by trees. In the dark there is an eerie look to it, like whoever last lived in it was scared away, or was driven away, or ran away. I get out of the truck. The engine ticks and I can feel the heat coming off of it. I grab my bag from the bed and stand there holding it.
“What do you think?” Henri asks.
The house is one story. Wooden clapboard. Most of the white paint has been chipped away. One of the front windows is broken. The roof is covered with black shingles that look warped and brittle. Three wooden stairs lead to a small porch covered with rickety chairs. The yard itself is long and shaggy. It’s been a very long time since the grass was last mowed.
“It looks like Paradise,” I say.
We walk up together. As we do, a well-dressed blond woman around Henri’s age comes out of the doorway. She’s wearing a business suit and is holding a clipboard and folder; a BlackBerry is clipped to the waist of her skirt. She smiles.
“Mr. Smith?”
“Yes,” says Henri.
“I’m Annie Hart, the agent from Paradise Realty. We spoke on the phone. I tried calling you earlier but your phone seemed to be turned off.”
“Yes, of course. The battery unfortunately died on the way here.”
“Ah, I just hate when that happens,” she says, and walks towards us and shakes Henri’s hand. She asks me my name and I tell her, though I am tempted, as I always am, to just say “Four.” As Henri signs the lease she asks me how old I am and tells me she has a daughter at the local high school about my age. She’s very warm, friendly, and clearly loves to chat. Henri hands the lease back and the three of us walk into the house.
Inside most of the furniture is covered with white sheets. Those that aren’t covered are coated with a thick layer of dust and dead insects. The screens in the windows look brittle to the touch, and the walls are covered with cheap plywood paneling. There are two bedrooms, a modest-sized kitchen with lime green linoleum, one bathroom. The living room is large and rectangular, situated at the front of the house. There’s a fireplace in the far corner. I walk through and toss my bag on the bed of the
Michael Boughn Robert Duncan Victor Coleman