to head to the gallery, a man in purple high-tops and a yellow helmet pulled up next to the news kiosk on a beat-up scooter.
âRichard!â he yelled, flipping up his face shield. âI thought that was you!â
Just when I thought my spirits couldnât get any lower, my submarine heart took a dive. I wiped my buttery fingers on my jeans and stretched my hand out to greet his in an amalgamation of a fist bump and a punch.
âPatrick,â I said. âHowâs it going?â
âGood, good! I was just on my way to my new studio, in Bercy? And at the red light I was like, is it or isnât it? I havenât seen you in years!â
âI know, man,â I managed, with a âwhateverâ shrug. âOffspring.â
âOh, yeah? Me, too.â He took off his helmet. âItâs good to see you! I kept thinking Iâd run into you somewhere, but . . . I donât know. Have you been traveling?â
âNot much. You?â I said, preparing myself to resent every answer to every question I was about to ask. âI thought you moved back to Denmark?â
âI did. For a year. But once youâve been in the States, everything feels kind of rigid, donât you think? I just finished a residency in Texas, actually, at the Ballroom Marfa? Brought the wife. The kid . . . oh, here!â he said, reaching into his back pocket. âI just came from the printers actually, so . . .â He waitedas I examined the flyer in my hand. âIâve got a show coming up at the Musée Bourdelle. Performance art, if you can believe it.â
âOh, yeah?â I said, my stomach tightening.
âYeah, itâs pretty . . .â He shifted his weight on the scooter. âHave you ever read The Interrogative Mood by Padgett Powell?
âItâs just a book of questions,â he continued, after my âno.â âA novel of them, really. Question after question. For example.â He adjusted his helmet under his arm. ââShould a tree be pruned? Is having collected Coke bottles for deposit money part of the fond stuff of your childhood?ââ
âYouâve memorized them?â
âNo,â he said, with a laugh. âJust a couple here and there. Theyâve got me set up in Bourdelleâs old studio, where Iâll be in residence for a week, sitting there with the book. Each person can come in one by one and sit with me, and Iâll just pick up with the questions from where I left off with the last person. Anyway,â he said, nodding toward the flyer. âYou should come! Iâm really excited about it.â
âYeah,â I said, running my thumb across the heading. âI might.â
âWell, Iâve gotta run, but it would be really great to catch up some more, hear what youâve been up to? Hell, our kids could have a playdate!â
I smiled at him weakly. âSeriously?â
ââIf someone approached you saying, âLead me to the music,â how would you respond?ââ
I blinked. He blinked back at me. He shrugged. âItâs from my show.â
âOh,â I said, pushing a laugh out. âCool.â
He eased his scooter back to the pavement with his purple high-tops, repeating that he really, really meant it. Coffee. Soon.
And off he went. Goddamn Patrick Madsen, who was sogenerous and wholehearted I couldnât even hate him and his rip-off show. Back at RISD, heâd majored in kinetic animationâfor his sophomore evaluation, heâd outfitted the heads of four taxidermied boars with recordings from the film version of Roe v. Wade that were only activated when a woman walked past. For his thesis show, he wired and grooved a series of his German grandfatherâs photographs from the Second World War so that they could actually be played on a record player. The sounds that came out of the photographs were