an eating-out kind of guy, so the room was not really a kitchen, but just an extension of the family room that happened to have appliances and sinks.
The baby stirred. Its little face stretched out of shape and its body quivered, as if on the verge of a sneeze, and then it sank back with a burble and slept with its tiny mouth open.
Kit was already exhausted and she had not been in charge of this baby for two minutes.
She didn’t think the baby was literally a newborn. It didn’t have the wrinkled, red, rashy look of being brand-new. It looked softer and a little rounded, as if it had had a week or two to get used to the world. But Kit doubted the baby was as old as one month.
She balanced the tiny body in the crook of her left arm, and with her right hand she spread the flannel blanket across the middle portion of the sofa. The decorator had chosen a leather couch, dyed hunter green to give it a British library look, crusted with brass studs. Kit lowered the baby into the dip of the sofa, where the seat met the back, so the baby could not roll over and fall off. Although it looked like an awfully young baby for knowing how to roll.
The moment it left the warmth of her arm, the baby woke up.
Its eyes opened so wide that Kit giggled, and the baby stared not at her, the source of the giggle, but straight up, as if its eyes didn’t go left and right yet. It gurgled, a much sweeter sound than the frog croaks. Its feet began to wave, as if the baby thought feet were hands.
Kit’s father was very big on photographs. Perhaps it was his Hollywood attitude, or perhaps all fathers are big on photographs of their children. By Kit’s estimate, Dad had taken a million snapshots of her, and a thousand movies. Dad believed every event, no matter how minor, must be immortalized. He still photographed her at the airport, arriving and departing, each and every visit she made to him in California. Fearful that he would miss a minute of her life, he handed a pack of cameras to Mom and Malcolm whenever he left New Jersey for a longer stretch than usual.
Dad had a collection of very impressive, very expensive cameras, but everybody else was afraid of them. There was too much adjusting to do, and too much fear of breakage or loss. So for years now, he’d been buying disposable cameras by the dozen and ordering people to use them in his absence. So, sitting on the counter in the unused kitchen was a stack of cameras, all still in their bright yellow cardboard boxes.
Now the baby was waving all four limbs, giving it more in common with upside-down turtles than with humans. Kit opened a camera, peeled away the foil, and took a flash photo. And because she had been brought up to believe in quantity, she took five more. Whatever angle she used, the baby was adorable.
She had been afraid of the baby to start with, because it was so little and so unexpected. But now she saw that the baby was beautiful. Even though the baby seemed fine lying in the slant of the sofa, Kit had to pick it up again. She nuzzled its face and tummy. “Go back to sleep, little sweetie,” she crooned. “Mommy will be back in a minute, Mommy will be —”
And then she thought:
How do I know Dusty will be back in a minute?
For that matter, how do I know Dusty is the mommy?
Chapter 3
D USTY DROVE AWAY WITH good intentions. She had a mental list of things that must be accomplished swiftly and in the proper order.
But handing the baby to Kit was such a relief.
Babies were enormously difficult. You could think of nothing else.
And Dusty was accustomed to thinking of her own body, not some little twenty-inch, eight-pound body. (She’d had a cat that size once, but the cat took care of himself. The baby, now — it most definitely would not take care of itself. It had not once slept more than two hours at a time, and sometimes it slept only ten minutes!)
She had gotten quite cross with the baby for refusing to sleep during the night. And not only did it stay