the black was just a wet firecracker, but thatâs not for me to say. Make way for the Yellows. The Japanese are going to take us dancing on the volcano. Itâs their turn. The great roulette wheel of the flesh. Thatâs how it turns. Red, Black, Yellow. Black, Yellow, Red. Yellow, Red, Black. The Great Mandala of the Western World.
Beelzebub, Lord of the
Flies, Lives Upstairs
HEMINGWAY SHOULD be read standing up, Basho walking, Proust in the bath, Cervantes in a hospital, Simenon in a train (Canadian Pacific, anyone?), Dante in paradise, Dosto in the underground, Miller in a smoky bar with hot dogs, fries and a Coke . . . I was reading Mishima with a cheap bottle of wine by the bed, totally exhausted, and a girl in the shower.
She stuck her dripping head through the half-open bathroom door and issued two or three rapid requests: a towel to cover her breasts, another to go around her hips (I love Gauguin!), a third for her wet hair and a fourth so she wouldnât have to set foot on the filthy floor.
She came out of the bathroom with a smile. It cost me four towels to see her teeth. I resumed my position, opening Mishima to page 78, and disappeared into pre-war Japan for eighty-eight seconds, good for three and two-thirds pages, before falling into a Fuji bonze Negro sleep.
Sleep is practically impossible in this muggy heat. I left the window open and the hot air completely knocked me out. Iâm as groggy as one of those smalltime boxers who turn up in Hemingway stories. I donât even have the strength to drag myself to the shower. An ocean of cotton closes around me.
I donât know how long I spent in that state. A distant buzzing awoke me. Airborne above the sink, an enormous green fly with bloodshot eyes is crashing into things. The fly looks blind. Totally drunk on the heat. Frenzied beating of wings. A fly high on codeine. A final collision with the wall and it does a kamikaze dive into the dishwater.
From the horizontal position I consider the cardboard boxes and green garbagebags stuffed with dirty laundry, books, used records and spice bottles that have been cluttering the floor for two days now.
The old fly is inert. It floats on its back. Its pollen-yellow belly swells with water. I pick up Mishima, page 81. The words run like fly streaks. The letters tremble and shimmer. Sentences jump like living things and move before my eyes.
The fly is a stiff corpse drifting among the glasses. I alone am responsible in the eyes of the Lord of the Flies. Bouba maintains that Beelzebub lives upstairs.
The bottle slumps sadly at the foot of the bed. I take a good pull and drift off into sweet somnolence. The wine trickles down my throat, smooth and warm. Not bad for the cheap stuff. I feel soft and sated.
The Negro Is of the
Vegetable Kingdom
1 2 3 4 5 6 7 8 9 10 I get up, steer clear of the shower and give myself a brisk face-wash in the sink. The cold water finishes the slow process of my awakening. Bouba must be on the Mountain checking out the girls getting a tan. The couch resembles an abandoned wife. Bouba will be back later; today is his weekly day out. Bouba is a true hermit. He can spend whole days without even turning on the light. The day passes; Bouba meditates and prays. He wishes to become the purest among pure men. He intends to accept the challenge issued to Muhammed: âYou cannot make the deaf hear, nor can you guide the blind or those who are in gross error.â (Sura XLIII , 39.)
Miz Literature left me a note, folded in four and stuck in the corner of the mirror. She had almost slipped my mind. Sheâs the McGill girl, the one Bouba nicknamed Miz Literature. Thatâs Boubaâs method. The girl we met the other day at a sidewalk café on St. Denis eating ice creamâhe called her Miz Sundae. So as not to get Gloria Steinem on our case we say âMiz.â
Miz Literature used two long paragraphs to tell me she had gone to a âdelicious Greek bakery on