How the Garcia Girls Lost Their Accents

How the Garcia Girls Lost Their Accents Read Free Page B

Book: How the Garcia Girls Lost Their Accents Read Free
Author: Julia Álvarez
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escape.
    "There's talk, you know, of guerrillas in the mountains."
    Gabriela crinkles her nose. "Mundfn says that talk is only talk."
    Iluminada has now crept forward to the edge of the circle to offer the matches to her mistress. In the fading light of the patio, Yolanda cannot make out the expression on the dark face.
    Tfa Carmen rises to approach the cake. She begins lighting
    n
    candles and laying the spent matches on the tray fluminada holds out to her. One light for Santo Domingo, one for Santiago, one for Puerto Plata. The children plead to be allowed to light the remaining cities, but no, Tia Carmen tells them, they may blow out the candles and, of course, eat the cake. Lighting is grownup business. Once the candles are all ablaze, the cousins and aunts and children gather around and sing a rousing
    "Bienvenida a ti,"
    to the tune of "Happy Birthday."
    Yolanda gazes at the cake. Below her blazes the route she has worked out on the map for herself, north of the city through the mountains to the coast. As the singing draws to a close, the cousins urge her to make a wish. She leans forward and shuts her eyes. There is so much she wants, it is hard to single out one wish. There have been too many stops on the road of the last twenty-nine years since her family left this island behind. She and her sisters have led such turbulent lives-so many husbands, homes, jobs, wrong turns among them. But look at her cousins, women with households and authority in their voices. Let this turn out to be my home, Yolanda wishes. She pictures the maids in their quiet, mysterious cluster at the end of the patio, Altagracia with her hands in her lap.
    By the time she opens her eyes, ready, a half dozen little substitute puffs have blown out all the candles. There is a burst of clapping. Small arguments erupt over dividing the cake's cities: Lucinda's two boys both want Santiago since they went gliding there last weekend; Lucinda's girl and Carmencita's girl both insist on the capital because that's where they were born, but one agrees to cede the capital if she can have La Romana, where the family has a beach house.
    But, of course, La Romana has
    already been spoken for by Tia Flor's little goddaughter, who suffers from asthma and shouldn't be contradicted. Lucinda, whose voice is hoarse with disciplining the rowdy crew, hands Yolanda the knife.
    "It's your cake, Yoyo. You decide."
    The road up through the foothills is just wide enough for two small cars, and so at each curve, as she has been instructed, Yolanda slows and taps her horn. Just past one bad curve, a small shrine has been erected, La Virgen surrounded by three concrete crosses recently whitewashed.
    She pulls the Datsun over and enjoys her first solitary moment since her arrival. Every compound outing has been hosted by one gracious aunt or another, presenting the landscape as if it were a floor show mounted for her niece's appreciation.
    All around her are the foothills, a dark enormous green, the sky more a brightness than a color. A breeze blows through the palms below, rustling their branches, so they whisper like voices.
    Here and there a braid of smoke rises up from a hillside-a
    campesino
    and his family living out their solitary life. This is what she has been missing all these years without really knowing that she has been missing it. Standing here in the quiet, she believes she has never felt at home in the States, never.
    When she first hears it, she thinks it is her own motor she has forgotten to turn off, but the sound grows into a pained roar, as if the engine were falling apart. Yolanda makes out an undertow of men's voices. Quickly, she gets into the car, locks the door, and pulls back onto the road, hugging her right side.
    A bus comes lurching around the curve, obscuring her view.
    Belching exhaust, the driver saluting or warning with a series of blasts on his horn, it is an old army bus, the official name brushed over with paint that doesn't quite match. The

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