How It Ended: New and Collected Stories
man on the loading dock. He stops working and watches you. You feel that there is something wrong with the way your legs are moving.
    “Bread.” This is what you say to him. You meant to say something more, but this is as much as you can get out.
    “What was your first clue?” he says. He is a man who has served his country, you think, a man with a family somewhere outside the city. Small children. Pets. A garden.
    “Could I have some? A roll or something?”
    “Get out of here.”
    The man is about your size, except for the belly, which you don't have. “I'll trade you my jacket,” you say. It is one hundred percent raw silk from Paul Stuart. You take it off, show him the label.
    “You're crazy,” the man says. Then he looks back into the warehouse. He picks up a bag of hard rolls and throws them at your feet. You hand him the jacket. He checks the label, sniffs the jacket, then tries it on.
    You tear the bag open and the smell of warm dough rushes over you. The first bite sticks in your throat and you almost gag. You will have to go slowly. You will have to learn everything all over again.
    1982

Smoke
    That summer in New York, everyone was wearing yellow ties. The stock market was coming into a long bull run; over plates of blackened redfish, artists and gourmet-shop proprietors exchanged prognostications on the Dow. And on the sidewalks noble dark men from Senegal were selling watches, jewelry and fake Gucci bags. No one seemed to know how or why these Africans had come to town—certainly not the police, who tried with little success to explain in English the regulations governing street vendors and finally sent out a special French-speaking squad, who received the same blank smiles. It was a mystery. Also that summer, Corrine and Russell Callahan quit smoking.
    Russell Callahan was not one of those wearing a tie. He had worn a tie to work his first day at the publishing house and sensed suspicion among his colleagues, as if this had signaled aspirations to a higher position, or a lunch date with someone already elevated. The polite bohemian look of the junior staff suited him just fine, and abetted his belief that he was engaged in the enterprise of literature. On clear days he saw himself as an underpaid hack in a windowless annex of a third-rate institution. After two promotions he presided over a series of travel books composed of plagiarism and speculation in equal parts. The current title, Grand Hotels of America , was typical: He and his associates plundered the literature in print, sent letters requesting brochures and then wrote colorful and informative descriptions designed to convey the impression of eyewitness reporting. Certain adjectives became severely dog-eared in the process. The words comfortable, elegant and spacious encountered outside the office made Russell feel queasy and unclean. In May, a month after the current project had been launched, two years after he'd started work, he'd been assigned a college intern, an eager young woman named Tracey Wheeler. As a mentor, he found himself assuming the air of a grizzled veteran, and Tracey's enthusiasm helped to focus his cynicism about his job.
    Corrine worked as an analyst in a brokerage house. If she had been a man, she would've had an easier time of it her first year. She nearly quit on several occasions. But once she became comfortable with the work, she found that the men around her were vaguely embarrassed by the old cigars-and-brandy etiquette, and vulnerable to the suspicion that she and her female colleagues possessed a new rule book. Gifted with mathematical genius and a wildly superstitious nature, she found herself precisely equipped to understand the stock market. She felt near the center of things. The sweat and blood of labor, the rise and fall of steel pistons, the test-tube matchmaking of chemicals and cells—all the productive energies of the world, coded in binary electronic impulses, coursed through the towers of downtown

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