walk a horse to death!â
âLucy Hanks, little girl, big heart!â Fondness for a moment filled him, fears forgotten.
âCanât we, Tony?â
âOh, Lucy, Iâm used to easy living, servants, everything. Iâd be no good to you in Kentucky.â
âIâll make easy living for you. Iâll be better than any twenty people taking care of you. Wouldnât it be worth it, Tony?â
âIt would be if I were worth it.â
âYou are, you are, to me you are.â Words like a song. âAnd Iâm the one to judge, it looks to me. Maybe not, though. Youâd have to do without a lot, give up a lot; but I wouldnât be giving up anything. Iâd be getting everything. But Iâd give you everything Iâve got, Tony Currain, all my life. And Iâd keep learning how to give you more, how to be a fine wife for you.â
âLucy, oughtnât you to go back, in case he wakes?â
âYouâre always fretting so.â
âIâll meet you here tomorrow night, every night, as long as I can stay.â
âI donât want to let you go. There might not be any tomorrow night, ever, Tony. I donât want to ever let you go.â
âIâm trying to do right for both of us.â
âDonât ever go, Tony Currain! Oh, donât ever go!â
He pondered, almost persuaded. âI could go back and bring a led horse for you, and a gun, and some money; things weâd need. Oh, Lucy Hanks, Iâm as crazy-headed as you are to talk so, to think so.â
âSay my name some more.â
âLucy Hanks.â
âSay Lucy Currain! Lucy Currainâs nicer, Tony! Mistress Tony Currain.â
His breath caught. âWhen you keep saying my name, itâs like music singing inside of me.â
âTony Currain, Tony Currain, Tony Currain, Tony Currain. Iâll sing it to you always.â
âIâll start home tomorrow, Lucy, to fetch another horse and things.â
âNot tomorrow. Donât go away tomorrow. Stay one more night.â
âThe sooner I start, the sooner Iâll come back.â
There was that singing in her voice again. âTo carry me away, to marry me away. Tony Currain, Tony Currain, Tony Currain!â
âTo marry you away.â A singing in him, too. âWeâre crazy, Lucy!â
âHappy crazy, Tony Currain. So weâll always be.â
In the wood a bird murmured in its sleep and tried a note or two of song; another answered. Lucy quickened her homeward hasting, swift on silent feet. The night was almost sped; bright moonlight paled with a hint of coming day. So late, so late! The long, rich hours had gone like seconds! Hurry, Lucy; hurry! First bird song was Paâs waking time.
The cabin door was always shut fast against night dews and vapors; when she came there it was closed, but she must open it and go in, for soon Pa would be about. She pushed the door no wider than she must in order to slip through, but Pa growled a challenge.
âWhoâs that?â
âMe, Pa.â
âWhere you been?â
âOutside a minute.â
He grunted sleepily; then as his thoughts cleared he came to his feet, thrust wide the door, drew her out into the paling moonlight, stared at her in hard suspicion. âHuh! Your hair all braided smooth! And your store dress on! Where you been?â His voice roused Ma in the cabin.
âOutside, I said. Whatâs wrong with that?â
âDamn your lying trollopâs tongue! What hedge-hopper have you took up with now?â
âTake your hands off me!â
âIâll lay my hand on you so youâll know it!â
Ma came strongly to Lucyâs rescue. âNow, Pa, leave the girl be! Canât she go out of your sight for once?â
âYou hush up, Nannie Hanks! Iâll handle this slut!â
âLeave her be, I say!â
The woman ruled him. His hand released its
David Sherman & Dan Cragg