charming love of my life who deceived me in every conceivable way, beat me senseless, shot me, ripped my heart out and stomped it to bits, and burned everything important to me to the ground. Some of you know about her and canât wait to get your fingers in the dirt, of which there is a veritable truckload. For those who donât, sheâs just like meâa killer who thought she was heartless but found out the hard way she wasnât when Cupid, that fat, cheeky bastard, shot a 600-grain carbon fiber arrow with a bone-splitting broadhead right through her love muscle, and life as she knew it bled out onto the floor.
When Bukowski said, âIf there are junk yards in hell, love is the dog that guards the gates,â he wasnât kidding.
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E veryone knows that the best part of any great love story is the beginning. The middle is like driving across the United Statesâflat, predictable, and offering little more than fast-food culture and rest stop romance. In what other context do men and women live under the same roof and go weeks without sex? The end of a love story is either a catastrophic tragedy or an anticlimactic whimper. And itâs the end, so unless itâs Jerry Springerâworthy, who even cares? But the bliss of ignorance that comes in the beginning is a drug we all wish we could cook, shoot, and ride till the wheels come off.
When people ask about relationships, they always say, âHow did you guys meet?â Not, âOMG, tell me all about your third year!â And when a relationship is in trouble, the desperate couple is always trying to recapture the magic of when they first met. The real tragedy is that, without time travel or amnesia, itâs impossible to ever get back there. Which is why, to most people, marriage is about as magical as watching David Copperfield make Claudia Schiffer disappear.
The beginning of the love story between Alice and me was a bit more complicated than most. When we first met three years ago, we were mortal enemies, predators lurking in the woodwork of a prestigious Manhattan law firm. I had been sent there as an âinternâ to exterminate one of the partners. And Alice, well letâs just say sheâd been sent there to exterminate me. Hilarity ensued! Despite ourimpossible circumstances, and the fact that we were interacting with each other using cover identities, we still managed to fall in love in our own twisted way. Predictably, the whole thing ended badly, mainly due to the fact that Alice had been paid to have it end that way. But I was smitten nonetheless, almost literally, and have never been able to shake it.
Whatâs interesting is that our relationship was the perfect metaphor for all relationships. Love is the stepchild of pain and suffering, born of conflict and genetically predisposed to failure. Animals donât love anything but their next meal, and guess what we are and have been for millions of years? Basically, this whole love thing is like a new ingredient added to the primordial soup. So, while we are wining and dining that special someone, buying them flowers and performing feats of strength and wonder in the orgasm circus, we are fighting back our inherently violent opposition to the opposite sex.
A lifetime of living in an emotional black hole, observing people from the outside looking in, made me realize all of this. Knowing I could never have what normal people had allowed me to disconnect from the world and see it through the microscope of reason, unmolested by emotion. But guess what? Eventually, I wanted what they had . I wanted it so bad I was like a wolf stalking a blood trail. The way I saw it at the time was that I needed to find love so that I could exist. Relativity is about context. I had no context other than HR, Inc., and that came to an end. Everything else in the normal world seemed like it would drive me to continue killing, but love . . . that was the only thing in life
Cornelia Amiri, Pamela Hopkins, Amanda Kelsey