the âRECORDâ button on his cassette machine.
âWell, you gotta understand, making movies was different in those days.â
A flutter of wings and a high-pitched shriek interrupted Woodley and drove Clint from his chair in a burst of panic.
Something sailed over his head.
Woodley laughed, his throaty guffaw thick and mean.
âIf youâre a red-blooded horror fan, you wonât mind my bats. Thereâs only a couple of them left, and they arenât rabid.â
Clint noticed his hand shaking. He sat back down, his eyes scanning the rafters overhead.
âScared the shit out of you, didnât it?â Woodley said.
âYes, sir, it did.â
âGood. Scaring people has been my main gig for over fifty years ⦠and I still get a kick out of it.â
âYou were saying that making movies was different in those days,â Clint prompted.
âRight. Well, all I can tell you is that we had to improvise all the time. We had to think on our feet. Iâd like to see Spielberg or Lucas try to pull off some of the stuff we did. Forget it! Anybody can make a movie for fifty million dollars. Hell, itâs as simple as making a few phone calls. In those days, we were forced to really get creative. We put our balls on the line every time. These guys today donât have a clue.â
Clint nodded. Good start, now letâs get the old fart to open up .
âWhat was your favorite film to work on?â
Woodley took a sip of the whiskey. It had been fermenting in the glass, looking like a curious mixture of motor oil and urine. Clint noticed a slick on top. The old manâs frown straightened slightly, then cracked. What passed for a smile on Landis Woodleyâs face appeared as joyless as a dog baring its teeth.
âFavorite film? Letâs see ⦠probably Blood Ghouls of Malibu . We got to work on the beach all day on that one, plus the late Jonathon Luboff was such a joy to work with. He was the consummate pro, always knew what to do. We never had to waste any time with him. Not like that idiot Tad Kingston.â
âKingston gave you problems?â
Landis snorted unhealthily. âHe was a royal pain in the ass. Of course, the kids loved him, so we had to use him. He did most of his acting with his hair.â
Clint laughed. The old man had made a joke. It was the last thing heâd expected.
âDid Buzzy Haller have anything to do with that hair?â
âNo. Thatâs about the only thing he didnât have a hand in. The man was a real genius. He worked on every one of my productions, and believe me, if he couldnât do it, it couldnât be done. We were pretty close ⦠used to play poker every week. He lived over at the Roosevelt Arms, a basement apartment. The Rooseveltâs a shit-hole, you know.â
Clint nodded. Buzzy Haller became a true legend around Hollywood and his special effects work ranked right up there with the best of them in the early days. It was Buzzyâs misfortune to fall in with the B-movie people, and he never had a decent budget to work with.
Also, Haller had a drinking problem. Judging from the look of Landis Woodley, it must have been the one true bond that held their friendship together. It seemed the height of irony that, in this town of successful drunks and dreamers, alcohol and imagination kept Buzzy Haller from workingâuntil he killed himself.
Clint decided not to broach the subject of Buzzyâs suicide.
âTell me about Luboff.â
âJonathon was a master. He knew what to do when the cameras were rolling, Iâll tell you that. Unfortunately, the man had a major drug problem. He was addicted to heroin for twenty years. It was starting to affect his work toward the end.â Landis paused to relight his cigar.
âYou helped Luboff, didnât you?â
âYeah, I dragged him to the hospital a couple of times so he could kick. The guy was a real mess.