hadnât. She had a man with her.â
âA young man, sir?â Jolly sounded almost deprecating as he broke a silence that had lingered for thirty seconds.
âCertainly not young, Jolly. Itâs no case of joie de vivre , or fun and games. Nor do I believe that Irma will ever sink to being kept by an octogenarian.â
âIt is hardly likely, sir.â Jolly, standing at ease by the cocktail cabinet, and with the fingers and thumb of one hand pressed on the top, looked slight and grey and miserable. He had a face which most would have called nondescript, for he was rarely noticeable in a crowd. Nor were the features particularly good, being somewhat sharp, with the eyes deep-set and yet wide apart. âThe man was over fifty, then, sir?â
The Toff looked at him sharply.
âI donât feel funny, Jolly. Irma back in London is the last thing I expected, and sheâs hooking the fellow for a certainty. As we canât find her at short notice, weâll have to try to find him. Iâve seen him about, but I canât place him.â
âAt a club, sir?â
âQuite likely at a club,â admitted the Toff, and scowled. âWhich means that I shall have to do a club-crawl tomorrow, Jolly, orâoh, damn!â
âYes, sir?â Jolly was inquisitive.
âIâm busy tomorrow,â said the Toff very thoughtfully, and he drew his forefinger along his nose, a trick he had, and of which he was unconscious. âI canât put the appointment off, thatâs certain. Irma will have to sweat for twenty-four hours.â
âQuite likely she will, sir,â murmured Jolly.
The Toffâs eyes gleamed.
âI hope youâre right! On the other hand, she appeared to be as calm as ever, and she got away from us nicely tonight. Too nicely. The boy friend, of course, could be involved in whatever racket sheâs playing, but I doubt that.â
âYouâre sure there is a racket, sir?â
âIâve told you,â said the Toff, with dignity, âthat Irma is in London. Irma would not be in London without some fell purpose. IâJolly! A moment, Jolly, a single moment!â
He lifted a hand as if enjoining silence, and fingered the bridge of his nose, so obviously deep in thought that Jolly knew he had recalled where he had seen Irma Cardewâs companion.
âPictures,â said the Toff, almost dreamily. âPaintings. Art. Art galleries. Italian paintings. A show of Italian art, Renaissance period, at the Balliol Gallery, Bruton Street. The name of one of the contributors, Jolly, one of the gentlemen who lent the picturesâJolly, a catalogue of that show! In a hurry, if you please.â
âYes, sir,â said Jolly. âItâs in your room, sir.â
It happened that the Toff had at one time been more than friendly with the Contessa Grinaldi, who â being Italian â had, of course, demanded to see the display of Italian art. The Contessa, who would have found it difficult to differentiate between a Picasso and an Annigoni, had voted herself delighted, and the catalogue would always remain one of her most treasured possessions. She had, of course, left it in the Toffâs flat after her third and last visit, and Jolly â as was his habit â had stored it safely away. He brought it to the Toff.
There were a dozen pages devoted to the patrons of the Exhibition, and the fifth at which the Toff looked showed him a likeness of the man who had been with Irma Cardew. A likeness, that was, of a sort. The man seemed little more than fifty, and appeared more upright than the one he had seen that night. This suggested that the photograph was an old one, and touched up considerably, but it was enough for identification.
âRenway,â said the Toff slowly. âMr. Paul Renway, Jolly, whose kindness in supporting the exhibition is herein duly and suitably acknowledged. He owns