chance he got to see if there were any answers. It was not long before everyone knew what he wanted. He wrote the letters to orphanages and State homes all over Oregon, trying to find out if there were any children in them named Wilder or Levitt; but he would come out of the post office and sit down on the bench and open his mail and crumple the letters up after he read them, his face black with rage, and so everybody knew he hadn’t found the child yet. Maybe the urge to find the child got cooked or burned out of him too; after a while he gave up, and people stopped thinking about him because he did not come to town any more at all, but stayed out on the ranch. Cowboys move around a lot, changing jobs, but not Harmon. He stayed with Mel Weatherwax until he died. Mel said he was a good cowboy and did not talk much, and if you left him alone he caused no trouble. Whatever made him run away from Oakland to the Wild West seemed to have been taken care of, one way or another. Maybe what he wanted was freedom. Maybe he looked around and saw that everybody was imprisoned by Oakland, by their own small neighborhoods; everybody was breathing the same air, inheriting the same seats in school, taking the same stale jobs as their fathers and living in the same shabby stucco homes. Maybe it all looked to him like a prison or a trap, the way everybody expected him to do certain things because they had always been done a certain way, and they expected him to be good at doing these strange, meaningless, lonely things, and maybe he was afraid—of the buildings, the smoke, the stink of the bay, the gray look everybody had. Maybe he was afraid that he too would become one of these grown people whose faces were blank and lonely, and he too would have to satisfy himself with a house in the neighborhood and one of the girls from high school and a job at one or another factory and just sit there and die of it. So he ran for the only frontier he ever heard about and became a cowboy. But of course he brought it all with him when he ran, and it kept at him, jabbing, destroying, murdering, until he himself was all gone and nothing was left but a man’s body doing work. And finally that died too. It was an accident. A horse kicked him and he died the next day of a brain hemorrhage; he had been trying to knock loose the balled ice under the horse’s hooves, and he slipped and wrenched the horse’s leg and the horse kicked out and got him right on the temple, and that was the end of him. The accident happened in 1936, and he was twenty-six years old, almost twenty-seven. He never did get to see his son.
Neither did Annemarie. She had been living with the Indians for a long time now, and seemed all right, but when she heard about Harmon’s death, something went out of her—something the massed hatred of the white people of the town had failed to diminish in all that time—and a few weeks later she killed herself with a 10-gauge shotgun. She was twenty-four at the time. The Indians buried her.
PART ONE
The Juveniles
1947
One
There were worse things than being broke, but for the moment Jack Levitt could not think of any of them. He stood on Fourth Avenue in downtown Portland looking into the window of a novelty store, his hands in his pockets, his heavy shoulders sloped forward. Two items caught his eye, the first a not-very-convincing puddle of plastic vomit, colored a bilish yellow, with bits of food sticking up from the surface; the second a realistic heap of dogshit, probably made out of plaster of Paris and then colored brown. Somebody made these things to sell. Somewhere there was a factory in which workers stood at assembly lines and turned these items out, and the workers got paid for it. Jack wished he could think of something like that to make money with. But he knew he had neither the imagination nor the energy for inventive work. He smiled to himself. When you’re broke, all kinds of crazy ways of making money come into your head.