Gormenghast
irregular as the coastline of a squall-rent island, there were characters that stood or moved gradually to the central hub. They were wading out of the tides of limitless negation - the timeless, opaque waters. Yet what are these that set foot on the cold beach? Surely so portentous an expanse should unburden itself of gods at least; scaled kings, or creatures whose outstretched wings might darken two horizons. Or dappled Satan with his brow of brass.
           But no. There were no scales or wings at all.
           It was too dark to see them where they waded; although a blotch of shadow, too big for a single figure, augured the approach of that hoary band of Professors, through whose hands for a while Titus will have to wriggle.
           But there was no veil of half-light over the high-shouldered young man who was entering a small room rather like a cell that opened from a passage-way of stones as dry and grey and rough as an elephant's hide. As he turned at the doorway to glance back along the corridor, the cold light shone on the high white lump of his brow.
           As soon as entered he closed the door behind him and slid the bolt. Surrounded by the whiteness of the walls he appeared, as he moved across the room, weirdly detached from the small world surrounding him. It was more like the shadow of a young man, a shadow with high shoulders, that moved across whiteness, than an actual body moving in space.
           In the centre of the room was a simple stone table. Upon it, and grouped roughly at its centre, were a whorl-necked decanter of wine, a few sheafs of paper, a pen, a few books, a moth pinned to a cork, and half an apple.
           As he moved past the table he removed the apple, took a bite and replaced it without slackening his pace, and then suddenly looked for all the world as though his legs were shrinking from the ground up, but the floor of the room sloped curiously and he was on his way down a decline in the floor that sank to a curtain-hung opening in the wall.
           He was through this in a moment, and the darkness that lay beyond took him, as it were, to herself, muffling the edges of his sharp body.
           He had entered a disused chimney at the ground level. It was very dark, and this darkness was not so much mitigated as intensified by a series of little shining mirrors that held the terminal reflections of what was going on in those rooms which, one above the other, flanked the high chimney-like funnel that rose from where the young man stood in the darkness to where the high air meandered over the weather-broken roofs, which, rough and cracked as stale bread, blushed horribly in the prying rays of sundown.
           Over the course of the last year, he had managed to gain entrance to these particular rooms and halls, one above the other, which flanked the chimney, and had drilled holes through the stone-work, wood and plaster - no easy work when the knees and back are strained against the opposite walls of a lightless funnel - so that the light pierced through to him in his funnel'd darkness from apertures no wider than coins. These drilling operations had, of course, to be carried out at carefully chosen times, so that no suspicion should be aroused. Moreover, the holes had as nearly as possible to be drilled at selected points, so as to coincide with whatever natural advantages the rooms might hold.
           Not only had he carefully selected the rooms which he felt it would be worth his while watching from time to time either for the mere amusement of eavesdropping for its own sake - or for the furtherance of his own designs.
           His methods of disguising the holes which might so easily have been detected if badly positioned, were varied and ingenious, as for example in the chamber of the ancient Barquentine, Master of Ritual. This room, filthy as a fox's earth, had upon its right-hand wall a blistered portrait in oils of a rider on

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