night vision. He coldly scanned the area for joggers or lovers. No one. He found a spot down the hill, a small plateau on the gradually sloping earth.
He calmly and expertly undid the buttons of her dress. It wasn’t until she was fully naked, that the cold, sharp perception gave way to a deep melancholy – a rich, sad ecstasy.
He undressed, carefully folding his jeans and tee shirt as he had done her clothing. He looked at the unreal shadows and the paleness the moonlight cast upon her body and on his. He dropped to his knees. He felt the blades of grass against his calves. He felt the chilled air on his flesh. He looked up at the sky. There was no way to determine if the moment were real or a dream. Yet, it was the way it was. And he never felt more alive.
There was nothing about him now. Not the ground, not the sky. So calm, he thought. She was so at peace. He let his hands glide feather-like over her body. He was so at peace. There was just the two of them. Naked. Quiet. Still.
When the ritual was complete, he kissed her gently on the lips, dressed, gathered the small stack of clothing and shoes, and left. He drove around until it was light. Barely light. He put her clothing in a Goodwill box.
TWO
G ratelli was awakened early by the phone. Soon after he shook some semblance of morning into his head and plugged in the electric percolator. He retrieved his morning Chronicle from the hallway, then called McClellan. After that, he called Albert Sendak in the medical examiner’s office. Not one, but two bodies had been found, both linked to each other and to the rest of them.
One body was decomposing south of San Francisco on Highway One near San Gregorio. Not SFPD territory but the local police were sure the body would be of special interest to them. The local police wouldn’t touch anything if someone could start down immediately. The medical examiner would oblige them.
The other body was a fresh kill up on Twin Peaks. A jogger found the body just as dawn broke. That’s where the two San Francisco inspectors would go first – where the trail was the freshest – before heading south down Highway One. If the two slayings were connected, Gratelli thought even in his groggy state of consciousness, then the killer was getting anxious. The deaths were coming closer and closer together.
Gratelli rummaged through the stacks of operas – works by Rossini, Donizetti, Bellini, Verdi and Puccini. He was searching for something comedic. He picked a Donizetti to listen to while he sat at the small table in his tiny kitchen. He sipped his coffee and unfolded the newspaper. He’d been in Homicide enough years not to let a few dead bodies disturb his routine.
His thoughts were on the opera – the one playing and the one he would see this week. Because of a duty roster switch, he thought it wise to switch his tickets. It was some German composer – and not even Mozart – which lowered the priority. He could even miss it if he had to. He did not enjoy the Germans, or the French for that matter. But the Germans were the worst. He endured, rather than enjoyed, the endless and pompous Ring Cycle. He remembered the season when the opera house was infested with fleas and even that was more enjoyable than Wagner.
After the sports section, he got up, refilled his cup and sat again. He sighed as everyone does when faced with something unpleasant and inevitable.
The morning paper had three separate stories on the killings – and the media didn’t know about this new one. He and McClellan would likely spend as much time with the news guys as with the investigation.
Julia Bateman and Paul Chang split the day’s watch. A video camera nearby if they should suddenly see their suspect doing cartwheels on the street. So far, they hadn’t seen Samuel Baskins at all. He hadn’t even ventured out to limp and stumble to the corner grocer.
So she started the watch at six a.m. She would observe Samuel from the entrance to Mr Baskins’
Caroline Anderson / Janice Lynn