girly mouth, a small chiselled chin. Both have their fatherâs amber eyes and olive skin. They are well-dressed but the sense of quality goes deep, as if they are burnished right to the bone. Dorrieâs revelation has brought a smile to Coltâs face â Freyaâs heart is just starting to be stirrable, and it stirs now. Heâs smiling to
her
, and no one else in the world knows it. It sets her cheeks on fire, makes her head feel as if itâs not reliably where it used to be. She looks for help to the last cars moving past on slow-turning wheels, to the priest standing at the church doors with the remnants of the flock, his altar boys nowhere to be seen. There is nothing to do except flee. âIâm going home,â she tells her mother. âDo you want me to take Peter?â
âIâll come!â says Marigold.
Elizabeth says, âWeâre all coming, weâre leaving now ââ
âIâm leaving
now
,â says Freya.
âNice to meet you, Freya,â says the man, the dentist, Rex Jenson. âHopefully weâll see you again soon.â
âUh,â says Freya. And almost runs.
The church isnât far from their home, which is the only good thing about it. Marigold skips to keep up with her sister, and the street streams past them as lines in the footpath, gates in fences, telephone poles planted in naturestrips. Jogging along, the girl tells Freya, âI liked that lady with a name like a cat.â
â
Tabby
.â
âTabby.â Marigold meows.
They pass a pole and a pole and another pole before Freya slows down. She wrinkles her nose, shakes her hair. âThose people were strange.â
âHow come?â
âWell. He talked and talked, but the lady hardly said anything, and those boys just . . . stood there.â
âRude?â
âNot rude,â Freya judges. âJust strange.â
Marigold flies her palm above the peaked top of a brick fence, thinking about this. Sheâs young, but she is clever. âThey were like those people in Mumâs knitting magazines.â
âExactly!â
âRobots.â
They have reached Freyaâs favourite house, which has a population of repellent concrete gnomes arranged in its front yard. Normally theyâd slow or even stop, but Freya marches on. âNot robots. More like . . . aliens. Aliens trying to be humans.â
âCreatures from the black lagoon,â says Marigold, a movie fan.
âThey wear skin to look like people, but they donât know how to
be
like people. Theyâre learning it.â
âStrange!â agrees Marigold. âSpooky.â
âThey
are
spooky. I mean, how did they know we live around the corner from them?â
âThey saw us walking to church. Thatâs what the man said, that they were walking behind us.â
This is plausible, which is disappointing, but Freyaâs mind catches on the thought of Colt walking behind her, seeing her without her seeing him. She wishes she could go back in time to hover over that oblivious girl, tweak her hair, do something. Sheâd given Dorrie a cuff: knowing he must have seen it makes her feel harassed. âWell, why did they come here?â she asks hotly. âDentists are rich. They make lots of money. So why are they here?â
Her sister is too young to have much concept of the wider world â Freya knows for sure that she thinks the starving Africans live near enough to have her leftovers delivered to them on a plate â and asks, âWhere should they be?â
âSomewhere fancy! Where rich people live. Not here.â
Marigold ponders. âMaybe they donât want to be fancy?â
âEveryone wants to be fancy.â
âMaybe theyâre hiding.â
Freya smiles, pleased by the idea of aliens hiding in a nondescript suburb, laying out their plans on a speckle-topped kitchen bench. In
Heinrich Böll, Patrick Bowles, Jessa Crispin
Andrew Neiderman, Tania Grossinger