that thrived in the epoch immediately prior to the Younger Dryas Boundary impact event, as scientists call it today.
Yet some expression of the complex cosmology existing during this former golden age is almost certainly locked into the design, proportion, and carved art at Göbekli Tepe. It thus becomes a virtual Noah’s ark in stone, bridging the gap between a former age of enlightenment and the emergence down on the Mesopotamia Plain of some of the oldest known civilizations of this current world age, most obviously those of Sumer, Akkad, Assyria, and Babylon.
ABODE OF THE GODS
The mythologies of these great civilizations speak clearly of wisdom bringers and creator gods responsible for the formation of the earliest towns, cities, canals, walled enclosures, and irrigation channels—and even of humankind. Named as the Anunnaki, these anthropomorphic, or humanlike, gods are said to have emerged from a primeval mound called Duku, situated on a cosmic mountain named Kharsag, beneath which was the world of mortal human beings.
Klaus Schmidt believes that Göbekli Tepe had a direct impact on the myths and legends regarding the Anunnaki, and that the site could be the role model for the original Duku mound. Indeed, he goes further, as Andrew points out in this book, by hinting at a connection between Göbekli Tepe and biblical traditions concerning the Garden of Eden, and perhaps even the very human angels of Hebrew mythological tradition known as the Watchers.
CULT OF THE VULTURE
A deep look at the description of the Watchers and their offspring, the Nephilim, in ancient Jewish texts such as the book of Enoch makes it clear that these mythical creatures were not incorporeal angels, but flesh and blood human beings with very distinct shamanistic qualities. They are occasionally said to wear dark, iridescent cloaks, or feather coats, and on occasion they take flight like birds, echoing the presence among the earliest proto-Neolithic communities of the Near East of a cult of death and rebirth focused on scavenger birds such as the vulture.
As Andrew points out, at Göbekli Tepe, as well as at the nine-thousandyear-old Neolithic city of Çatal Höyük in southern-central Turkey, there are abstract representations of vultures with articulated legs. Either they are shamans adorned as birds or bird spirits with anthropomorphic features.
Were these shamans of the early Neolithic age role models for the Watchers of Enochian tradition? Are the Watchers a vague memory of those behind the construction of proto-Neolithic complexes, amongst them Göbekli Tepe in southeast Turkey? Did the Watchers really introduce this current world age to forbidden knowledge carried over from a global civilization that once thrived in an antediluvian world?
FROM THE ASHES OF ANGELS
These are questions we are only now beginning to ask for the first time. Yet they were asked as far back as 1996 by Andrew Collins in his groundbreaking book From the Ashes of Angels. What is more, there is little question that Andrew was one of the first writers to realize the greater significance of Göbekli Tepe, bringing it to the attention of the mysteries community as early as 2004. It is for this reason that his book Göbekli Tepe: Genesis of the Gods is such a masterwork, for it is the culmination of nearly twenty years of Andrew’s original research into the origins of the Neolithic revolution and its relationship to Hebrew traditions concerning the location of the Garden of Eden and the human truth behind the Watchers of the book of Enoch.
In a testimonial written to accompany the publication of From the Ashes of Angels, I said that Andrew had “put important new facts before the public concerning the mysterious origins of human civilization.” I stand by this statement and add only that with his vast knowledge of the subject under discussion, there is no one better suited to reveal Göbekli Tepe’s place in history today.
Graham Hancock, born in