realized I had stopped willing too soon. It didnât quite match the color worn by the victim. Still, I held it by its edge as I returned to the room.
âWe gotta dash,â one of the sightseeing cops said when I returned.
An old wooden folding chair was now leaning against the hallway wall. I opened it, unlidded my cold tea, and waited for the Johnny-come-lately from Homicide South.
Ten minutes later a surprisingly young guy showed up, a cigarettebetween his yellow teeth and a gold shield dangling from a leather wallet that was wedged in his jacket pocket.
âHowâs it going?â he greeted me.
âYouâre a detective?â I asked astonished. With his fuzzy post-adolescent mustache, he couldnât have been much older than me.
âWhat do we have?â
âI only looked inside,â I said, in case he was testing me. âHer head is cut off, and her limbs were taped together.â
âHoly shit!â he said, then snapped a photo of the victim from the doorway. âDo we have a name?â
âNot to my knowledge. Seems like she was a hooker.â
âSo how many murders does this make it?â
âYouâre the detective, you tell me,â I replied. âAre you allowed to smoke in here?â
When he grinned, I realized I hadnât been following proper procedures. I flipped open my memo book and told him that if he wanted to enter the room, he had to sign it first, since I was technically in charge of the scene. I shouldâve gotten the earlier sightseers to do likewise.
âLet me finish my cig first,â he said and walked back down the stairs.
It took me a minute or two before I realized he wasnât coming back. Whoever that kid was, he wasnât a detective. Probably a reporter, damn it. They were constantly monitoring police radios.
Twenty minutes later, I heard coughing in the distance. The cough slowly grew louder and was accompanied by an odd thud. Finally a rugged, older man emerged from the stairway, panting for air. He walked with a distinct limp. This guy had detective written all over him.
As soon as he saw me, he nervously planted an unlit cigarette between his lips.
âMy fucking foot is killing me.â
âWho exactly are you?â I asked.
He took his wallet from his pocket and flipped open his gold shield. âDetective Sergeant Bernie Farrell. Is the rest of the squad here?â
âJust me, sir.â
âWho are you again?â
âOfficer Chronou.â
âFirst name, dear heart?â
âGladyss, with two esses.â
âTell me no reporters came by, Gladyss.â
âActually this young guy just came by . . . He said he was a detective, but he kept asking me questions.â
âMake me glad, Gladyss with two esses, and tell me he didnât snap a picture.â
âHe took a picture.â
âShit! Exactly what does âprotect the crime sceneâ mean to you?â
âIâm really sorry, sir,â I said.
âNo, I shoulda told . . . See, some asshole reporter got ahold of the mugs of the last vic, as well as the crime scene of the first vic, and has been running stories on the case.â
Detective Farrell went over and stared down at the body. He hung his hand forward and pursed his lips like a gargoyle. âShit,â he said. He walked around the room until he came to the window, then stared up at the surrounding buildings silently for several long minutes.
âWhy donât you warn him off?â I said, if only to awaken him.
âWe tried, but there wasnât a byline on the stories, they were just credited to a special correspondent,â Farrell said. âAnd surprise, surprise, the newspaperâs editor refused to reveal their sources.â
âThe real fear,â he continued, âis that killers sometimes like to return to the scene of the crime. And this killer does this whole weird human sculpture