âJust for once I wish theyâd do it backward. It makes me nervous, being first.â
âBound to be a few Adamses or Abrahams before you,â Agnes McGann muttered.
But there werenât. Bettiann was called first. She handed the piano music to the person at the keyboard, went to the front of the dais, and sang competently. She read the music easily, and though her voice was small, it was true. Considering the shy smile, and the nervousness, Carolyn was surprisedat the amount of personality she displayed, a bit too much pizzazz for Carolynâs taste. If Bettiann Bromlet was the general standard, Carolyn herself might decide to try out.
âVery nice,â said the woman in gray. âLily Charnes?â
âYouâve done that before,â said Carolyn when Bettiann returned to her seat.
âBeauty contests,â Bettiann murmured, flushing hotly. âMy mom was all the time entering me in these pageants. Last time around I won a scholarship.â
âCongratulations,â said Carolyn.
The blond shook her head. âItâs crazy that I won. Iâm not that good-looking. Itâs all pretending.â¦â
Carolyn found this an interesting idea. She hadnât thought before that one could pretend to beauty, though of course it made sense. Certainly Bettiannâs stage personality was not the same as that of the rather hesitant girl sitting beside her.
It was a while before they got to McGann. Carolyn asked her if she was nervous, but Agnes said no, not particularly. Sheâd had a good voice teacher at St. Monicaâs. Theyâd had a choir they were proud of and paid a good deal of attention to.
âCatholic school?â Carolyn asked. âMe, too.â
âReally? Iâve been in boarding schools since I was six. My family was killed when a truck hit their car, and the settlement was put in trust for my education and keep. Iâve spent my life in Catholic school. Too long, Mother Elias says. Sheâs the abbess at the Sisters of St. Clare near New Orleans, where Iâm going to be a nun. I wanted to enter right away, but she wants me to get through college and take an M.B.A. first.â
âAn M.B.A.? For a nun?â
âThey want to start an oyster farm, to make money for the abbey school, but thereâs no one in the order with business trainingââ
âAgnes McGann?â called the woman in gray.
Agnes had a voice better than Bettiannâs, with a good deal more range. She, too, sang competently, though almost without emotion. Carolyn identified the style as churchy: angelic voices conveying as little human emotion as possible.
âVery nice,â said the woman in gray. By this time Carolyn had it figured out. âVery niceâ meant you were in. âThank you very muchâ meant you were out. Hmm, âthank youâ meant âmaybe.â When Agnes returned, the three of them went on sitting, curious about all the other putative singers.
âFaye Whittier,â the woman called at last. The final one.
Faye was coloredâtall, graceful, with her hair cut very short. Agnes had never seen hair worn like that, just a cap of it, natural. She thought colored people straightened their hair. The maids at St. Monicaâs had. The pianist tinkled through an introduction as Faye clasped her hands loosely in front of her, holding the music almost negligently. Either she knew this composition or sheâd already memorized it.
The voice came like velvet, smooth throughout its register, organlike on a low note, whispering on a high one, easy, fluid, capable of infinite shading and power.
Carolyn decided she would skip trying out for chorus.
âOh, God,â whispered Bettiann. âIf thatâs what they want! Iâll never make it. I shouldnât even have tried.â¦â
Agnes shook her head, put her hand firmly atop Bettiannâs hand and said, âNo. You and I are fine for