creator. Lucy wasnât sure what the thing was yet. She didnât think Cassandra knew either. The sculptress tended to work from the gut, only she used hippie words like âfeeling the aura of the metalâ.
The rest of the artists were either occupied in their spaces, some behind cubicle partitions, others simply isolated by headphones as they worked. She noticed many of the cubicles were decorated with garland or icicles. There must have been a holiday party last night. That explained why most of the artists were asleep. For a good chunk of them, this was home.
The landlords whoâd repurposed this space in an attempt to prevent it from becoming derelict didnât care as long as things were well kept, though living here was probably breaking some zoning laws.
Like anyone cared about that in the Double C. Besides, people living here prevented break-ins. She knew that several residents had expensive audio and visual equipment. Where theyâd gotten it, she didnât ask.
She walked past the high windows darkened with the stormâs gloom and reached her own corner. She looked over at Grahamâs workspace. The remains of a book, pages and spine separated, sat on his workbench, which was basically plywood over two sawhorses. In a few days, that book would be transformed into something three-dimensional representing the story inside. The project must be holiday relatedâred and green paint sat next to the pages.
For now, it just looked like a mess. So was Graham, slumbering under a throw rug on his old couch.
Lucy sat at her stool and ran her hands over the tilted workbench. Her own easel and artistâs table, and her own supply of pencils and brushes and crayons and papers.
Her parents had bought most of her supplies, eager to make up for lost time, especially since itâd been an argument about her need to be an artist that had first led her to run away at seventeen. Theyâd offered to build her a whole studio in their home on the last visit. She had said sheâd think about it, but it seemed like a step backward, not forward. She was a full adult now, not an angry teen.
Her mother had nearly cried at her answer. Her parents didnât understand why she stayed in the Double C instead of moving back home. They offered her the studio, the fancy college, anything, really to get her to come back and live closer to them. And she put them off, without being able to explain why. She was caught between here and what they wanted.
This whole mess is my fault.
No, Beth Nakamora had told her to stop with the negative thinking. Yes, sheâd run away at seventeen, but sheâd been ready to go back home and deal with her parents when sheâd been nabbed off the street and made into a lab specimen for six years. Blame her captors for that.
Al would definitely agree on blaming the killers. His broken arm, suffered while fighting her former captors, still ached, especially when the weather was bad. Good thing he wasnât an artist, heâd joked, because some days he couldnât hold a pencil. Never once had he even hinted his injuries were her fault. She suspected that thought had never occurred to him.
Lucy picked up her drawing pencil and flipped open her sketch pad. Sheâd told him to put the book away because she didnât want to show him the subject of her drawings.
Him.
She liked these last two sketches the best. The first was Al, standing at the entrance to a bank that had been the scene of a horrific crime. His hands were tucked into his pockets and his gun butt peeked out at his waist from the open overcoat. His tie was askew.
His eyes stared at an area marked Crime Scene , missing nothing. He stood as sheâd first seen him, the first person sheâd thought could actually be competent enough and would care enough to give a damn about helping her.
The overcoat, though unbuttoned, concealed much of what he really was. Oh, the broad shoulders were