scene, looking at her piled-up hair, her speckled throat, the clothy, hammock neckline of her top, imagining how he might stage a kiss with
her. âThis fellowâs very, very dear to you, you say.â His mimicry was faultless.
Freda, though, would not respond. She had no sympathy for Lix. How dare he even mention George? Was he inviting trouble? She smiled at him, an icy smile that said, Do as I want. Otherwise Mouetta will be reminded yet again of what she has so determinedly forgotten or ignored, exactly what went on between us, twenty-five years ago when we were undergraduates ourselves. When I was carrying your child. When you were truly dangerous to know.
She stretched her neck away from him. Sheâd let him talk. Sheâd let him huff and puff. She only paid attention once heâd dutifully proclaimed his list of predictable objectionsâthe risk (for him), the inconvenience (for him)âand was prepared to accept what had already been agreed behind his back. There was no need to repeat herself for Lix. He was a spouter nowadays, not a sympathetic listener. Not an activist. Sheâd already explained herself to her cousin, how her own office and apartment at the academy were âalwaysâ being visited by police. Unlike Mouetta, a newcomer whoâd âmarried inâ two years before, sheâd been a citizen of this âinfuriatingâ town since her own student days. She was a well-known dissident, âa bit of a firebrandâ herself. While Lix, born in the town forty-seven years before, despite his posturing, was notânot now, at leastâa threat to anyone. The celebrated Lix would not be visited by police, not in a thousand years. His study couch would be the safest refuge in the town. Saving this brave âboyâ (Lix winced at her transparent use of words: a cut, an edit, please!) would be a simple matter, then. Theyâd drive
in to the campus, pick the hero up, and take him home to share their anniversary.
So Lix, defeated, left the Debit Bar, not hand in hand with Mouetta as he had planned, but as one of an ill-at-ease threesome and without a suggestion of any intimacy between them. They could be mistaken for little more than casual, frosty friends. The actor, naturally, looked grander and crosser and more thwarted than the other two, but then men always do, actors or not. They are Pierrots by nature. Smiling is for Columbines.
Lix was too irritatedâand alarmed (for he was no longer an adventurous man)âeven to acknowledge the greetings and congratulations from a couple who had seen his performance, onstage, that evening, a couple who had witnessed his dry kissing and his tremor from the balcony. He contemplated having Fredaâs callow lodger, callow lover, in his house. Her âboy.â A week or so, sheâd said. That meant three months, minimum. A stranger in the frying pan. His egg with theirs. The staircase always busy with the sound of running feet, the sound of running taps. Worse even than the alternate weekends when his acknowledged children came to stay, descended on his house and his routines, his two adolescent boys, Lech and Karol (the products of his first marriage), and four-year-old Rosa (the unplanned fruit of a short, bizarre, and punishing liaison not quite before heâd met Mouetta). At least their running feet were known and loved. For, yes, despite the evidence so far, the selfishness, the sexual jealousy, the lack of courage, the peevishness on this night of their anniversary, theirs was a house of love. Lix, for all his faults, for all his fickleness, was capable of love. He had been thwarted, though,
on this occasion, by the unforgiving first love, second conquest of his life.
As it happened luck was on his side.
The rain was heavy now, disabling and hostile. It beat out its cacophonies on cars and roofs. The police had had to set up shop beneath the water-sagging canopies on the barâs terrace and
Stephen Goldin, Ivan Goldman