thumb. He glances up. I expect a surprised look when he sees a black boy standing on the portico, but his brown, wrinkled face is a mask.
âI hear youâs leavinâ,â Old Uncle says, his attention back on the beetles, which have chewed lacey holes in the leaves.
I thump down the steps. âYes sir. I came to say goodbye.â
âFollowinâ your ma and pa to Camp Nelson?â
âYes sir.â
He grunts, as if satisfied. âA family should be together.â
I hear a crunch as he snaps another beetle. âTake care, Old Uncle.â
âAnd you, Gabriel Alexander.â
I jog down the walkway and underneath the arched trellis. I need to retrieve my packed belongings from the barnâand say goodbye to the horses.
My innards clench. Iâve put it off as long as I can.
I drag my feet the whole way to the training barn, which is as silent as the Main House. All the workers are at the carriage barn, meeting to discuss contracts and wages. Seems Mister Giles forgot to mention Jacksonâs most important demandâthat grooms and stable hands at Woodville Farm be treated as free men.
Since the flies are biting, the colts and fillies have been brought in for the day. I make my way slowly down the aisle, stopping at each stall. Savannah, Captain, Daphne, Arrow, Blind Patterson, Tenpenny, Sympathy, and at the end of the row, Aristo. Heads dip as they munch sweet hay. I breathe their scent one last time, admiring the sheen of their coats, the ripple of their muscles, the light in their eyes. I donât want to forget themâever.
Leaning over Aristoâs door, I glide my fingers down his silky neck. He nuzzles my cheek and chews close to my ear.
ââRisto,â I whisper. âYou are the finest colt in the States, and Iâm honored to have been your jockey.â
As long as I can remember, these have been
my
horses. How can I tell them goodbye?
I canât.
Tears threaten, reminding me I ainât a man yet. I dash down the aisle to the supply room, snatch up my basket and my blanket-wrapped bundle, and bolt from the barn.
My bare feet pound the lane as I race past the Main House, the basket thumping my leg. I canât hold back the tears and they roll down my cheeks, plopping from my chin like raindrops. I run past the armed guard at the end of the lane. Then, turning east on the Frankfort Pike, I fly across the bridge. I run until a stitch splits my ribs, and I finally double over, gasping. When I catch my breath and steal a glance over my shoulder, Woodville Farm is long behind me.
*Â Â *Â Â *
The sun is high overhead so I know Iâve been walking a good four hours. Iâm wrapped in misery and loneliness, and my stomach grumbles. Cook Nancyâs vittles disappeared by the third mile, and the basketâs as empty as my insidesâand my heart.
Iâve left the only place Iâve ever called home, and the only folks Iâve ever called friends.
A stick snaps in the brush, and I jump like a startled rabbit. Part of me expects to see Keats and Butler, those Rebel no-goods who stole Captain Conrad and knocked me senseless. Another part of me worries that One Arm Dan Parmer and his band might be back in Kentucky.
Even though Iâve traveled to Camp Nelson before, Iâve always had company. This time Iâm one skinny, scared boy on my own.
The rattle of wheels makes me whirl in my tracks. A ponyâs muzzle, followed by a pair of fuzzy ears, pokes through a cloud of dust kicked up by a peddlerâs wagon. I spring to the roadside, clutching my bundle. The pony has a hitch in its walk, so it moseys by me, and Iâm in no danger of being crushed by its hooves.
A gnarled white man sits on the wagon seat. Behind him, keys dangle and sway from rows of hooks. The man peers at me with one eye; the other is an empty socket. A dirty rag is wrapped around his forehead. Too late, he tugs it down, angling it over the