matter, and particularly of thin finger joints that were rigid and severe, had been laid out on a bed of roses and gladiolas. I had bought armfuls of flowers, but they were at the foot of the trestle that supported the coffin. They were stuck in a roll of straw andformed, with the oak or ivy leaves that had been added, ridiculous wreaths. I had got my money's worth, but the fervor with which I myself would have strewn the roses was lacking. It was indeed roses that I had wanted, for their petals are sensitive enough to register every sorrow and then convey them to the corpse, which is aware of everything. A huge straw cushion, lastly, decorated with laurel leaves, was leaning against the coffin. Jean had been taken from the refrigerator. The reception room of the morgue, which had been transformed into a mortuary chapel, was thronged with people walking through it. Jean's mother, who was sitting next to me veiled in crape, murmured to me:
“Before, it was Juliette. Now it's my turn.”
Four months earlier, Juliette had lost a new-born baby, and the fact that Jean was its father had infuriated his mother. She had cursed them, foolishly, and now she herself was a child weeping over her son's death.
“It's hardly . . . ,” she added.
The phrase was completed by a tremendous sigh, and though my thoughts were far away I gathered that she meant: “Hardly worth my being in charge of the funeral.”
My grief did not prevent me from seeing beside me the young man I had met beside the tree near which Jean had died. He was wearing the same fur-lined leather coat. I was sure he was Paulo, Jean's very slightly older brother. He said nothing. He was not crying. His arms hung at his side. Even if Jean had never spoken about it, I would have recognized his nastiness. It gave great sobriety to all his gestures. He had a tendency to put his hands into his pockets. He stood there without moving. He was shutting himself up in his indifference to evil and unhappiness.
Despite the crowd, I bent forward to contemplate thechild who, by the miracle of machine-gun fire, had become that very delicate thing, a dead youth. The precious corpse of an adolescent shrouded in cloth. And when the crowd bent over him at the edge of the coffin, it saw a thin, pale, slightly green face, doubtless the very face of death, but so commonplace in its fixity that I wonder why Death, movie stars, touring virtuosi, queens in exile, and banished kings have a body, face, and hands. Their fascination is owing to something other than a human charm, and, without betraying the enthusiasm of the peasant women trying to catch a glimpse of her at the door of her train, Sarah Bernhardt could have appeared in the form of a small box of safety matches. We had not come to see a face but the dead Jean D., and our expectation was so fervent that he had a right to manifest himself, without surprising us, in any way whatever.
“They don't go in for style these days,” she said.
Heavy and gleaming, like the most gorgeous of dahlias, Jean's mother, who was still very beautiful, had raised her mourning veil. Her eyes were dry, but the tears had left a subtle and luminous snail track on her pink, plump face from the eyes to the chin. She looked at the pine wood of the coffin.
“Oh, you can't expect quality nowadays,” replied another woman in deep mourning who was next to her.
I was looking at the narrow coffin and at Jean's leaden face, which was overlaid with flesh that was sunken and cold, not with the coldness of death, but the iciness of the refrigerator. At twilight, accompanied by the muted fanfares of fear, almost naked and knowing I was naked in my corduroy trousers and under my coarse, blue, V-necked shirt, the sleeves of which were rolled up above my bare arms, I walked down silent hills in sandals, in the simple posture of the stroller, that is,with one hand closed in my pocket and the other leaning on a flexible stick. In the middle of a glade, I had just