commission for a family portrait of the Trents. You remember them? They have that pretty little farm down toward Middleburg, just past the Gradys’ place? Two very blond children who show their ponies with Callie? A boy and a girl?”
“I think so.”
“We had three sittings. I never got things right.”
She wasn’t sure how to explain the next part. She’d had no success with Bard or Dr. Jeffers. Bard told her she was simply overwrought and making her problems worse. Dr. Jeffers scribbled notes, and the scratching of his pen had nearly driven her crazy.
She tried again. “It was worse than that, actually. I did preliminary sketches. The Trents wanted something informal, something with their horses and pets out in the countryside. The sketches were fine. I had some good ideas of what I wanted to do. But when I tried to paint…”
“Go on.”
“I couldn’t paint what I saw. I would begin to work, and the painting seemed to progress without me. Mr. Trent is a stiff, formal man who’s strict with the children. That’s all I was able to capture on canvas. He looked like a storm trooper after I’d roughed him out. At one point I even found myself painting a swastika on his sleeve.”
“Maybe you weren’t painting what you saw but what you felt. Isn’t that part of being an artist?”
“But I had no control over it.” Julia heard her voice rising and took a moment to breathe. “And it was true of everything I painted in the month before the accident. I would try hunting scenes, and they weren’t lovely autumn days among good friends anymore. We chase foxes for the fun of it, not to destroy them. But every painting I attempted seemed to center on the hounds tearing a fox to bits. They were…disturbing, and when I was finished with a session, I’d feel so shaken I was afraid to start another.”
“Maybe it was simply fatigue. Maybe you needed a break.”
“Well, I got one, didn’t I?”
Maisy was silent, and Julia didn’t blame her. What could she say? If Julia’s sight was not restored, she would never paint again.
“When you were a little girl,” Maisy said at last, “and something bothered you, you would go to your room and draw. It was the way you expressed yourself.”
“It still is. But what am I expressing? Or what was I? Because I won’t be able to do it again unless something changes radically.”
“Come home with me, Julia. If Bard doesn’t want you at Millcreek, come back to Ashbourne. You know there’s room for you and Callie. We can find a therapist you trust. Jake wants you to stay with us, too. You know he does.”
Julia loved her stepfather, who had brought balance to Maisy’s life and gentle affection to her own. He was a kind, quiet man who never ceased to marvel at his wife’s eccentricities, and Julia knew he would welcome her with open arms.
For a moment she was tempted to say yes, to return to her childhood home and bring her daughter to live there, too. Until her sight was restored or she’d learned to live with her impairment. Then reality got in the way.
She shook her head decisively. “I can’t do that. My God, Bard would be furious. He had to pull strings to get me admitted here. He’s convinced I need to be away from everything and everyone before I’ll get better.”
“And what do you think?”
“I hope he’s right. Because I don’t think I can stand being here very long. I feel like I’m in prison. I know how Christian—” She stopped, appalled at what she’d nearly said.
“You know how Christian feels,” Maisy finished for her. “It’s been a long time since I’ve heard you speak his name.”
Julia stiffened. “I haven’t been thinking about Christian. I don’t know where that came from.”
“You’ve lost your sight, he lost his freedom. Both of you are living in places you didn’t choose. The connection is there.”
“I don’t want to talk about Christian.”
“You never have.”
There was a rustling noise at the
Jim Marrs, Richard Dolan, Bryce Zabel