Forever Odd Read Free Page B

Danny’s room, where Demi Moore still looked luminous and the Elephant Man still looked pachydermous. I paused in the gloom at an intersection with a second, shorter hallway.
    This was a big house. It had been built in 1910 by an immigrant from Philadelphia, who had made a fortune in either cream cheese or gelignite. I can never remember which.
    Gelignite is a high explosive consisting of a gelatinized mass of nitroglycerin with cellulose nitrate added. In the first decade of the previous century, they called it gelatin dynamite, and it was quite the rage in those circles where they took a special interest in blowing up things.
    Cream cheese is cream cheese. It’s delicious in a wide variety of dishes, but it rarely explodes.
    I would like to have a firmer grasp of local history, but I’ve never been able to devote as much time to the study of it as I have wished. Dead people keep distracting me.
    Now I turned left into the secondary hallway, which was black but not pitch. At the end, pale radiance revealed the open door at the head of the back stairs.
    The stairwell light itself wasn’t on. The glow rose from below.
    In addition to rooms and closets on both sides, which I had no impulse to search, I passed an elevator. This hydraulic-ram lift had been installed prior to Wilbur and Carol’s wedding, before Danny—then a child of seven—had moved into the house.
    If you are afflicted with osteogenesis imperfecta, you can occasionally break a bone with remarkably little effort. When six, Danny had fractured his right wrist while snap-dealing a game of Old Maid.
    Stairs, therefore, pose an especially grave risk. As a child, at least, if he had fallen down a flight of stairs, he would most likely have died from severe skull fractures.
    Although I had no fear of falling, the back stairs spooked me. They were spiral and enclosed, so it wasn’t possible to see more than a few steps ahead.
    Intuition told me someone waited down there.
    As an alternative to the stairs, the elevator would be too noisy. Alerted, Simon Makepeace would be waiting when I arrived below.
    I could not retreat. I was compelled to go down—and quickly—into the back rooms of the lower floor.
    Before I quite realized what I was doing, I pushed the elevator-call button. I snatched my finger back as though I’d pricked it on a needle.
    The doors did not at once slide open. The elevator was on the lower floor.
    As the motor hummed to life, as the hydraulic mechanism sighed, as the cab rose through the shaft with a faint swish, I realized that I had a plan. Good for me.
    In truth, the word
plan
was too grandiose. What I had was more of a trick, a diversion.
    The elevator arrived with a
bink
so loud in the silent house that I twitched, though I had expected that sound. When the doors slid open, I tensed, but no one lunged out at me.
    I leaned into the cab and pushed the button to send it back to the ground floor.
    Even as the doors rolled shut, I hurried to the staircase and rushed blindly down. The value of the diversion would diminish to zero when the cab arrived below, for then Simon would discover that I wasn’t, after all, on board.
    The claustrophobia-inducing stairs led into a mud room off the kitchen. Although a stone-floored mud room might have been essential in Philadelphia, with that city’s dependably rainy springs and its snowy winters, a residence in the sun-seared Mojave needed it no more than it needed a snowshoe rack.
    At least it wasn’t a storeroom full of gelignite.
    From the mud room, one door led to the garage, another to the backyard. A third served the kitchen.
    The house had not originally been designed to have an elevator. The remodel contractor had been forced to situate it, not ideally, in a corner of the large kitchen.
    No sooner had I arrived in the mud room, dizzy from negotiating the tight curve of the spiral staircase, than a
bink
announced the arrival of the cab on the ground floor.
    I snatched up a broom, as though I