cigarette, and relate to her the vicissitudes of his current romance with some temperamental beauty—breaking off occasionally to say how great it was to have a pal like her.
Some may be surprised to learn that there is this side to Professor Miner’s life. But it is a mistake to believe that plain women are more or less celibate. The error is common, since in the popular mind—and especially in the media—the idea of sex is linked with the idea of beauty. Partly as a result, men are not eager to boast of their liaisons with unattractive women, or to display such liaisons in public. As for the women, painful experience and a natural sense of self-preservation often keep them from publicizing these relationships, in which they seldom have the status of a declared lover, though often that of a good friend.
As has sometimes been remarked, almost any woman can find a man to sleep with if she sets her standards low enough. But what must be lowered are not necessarily standards of character, intelligence, sexual energy, good looks, and worldly achievement. Rather, far more often, she must relax her requirements for commitment, constancy, and romantic passion; she must cease to hope for declarations of love, admiring stares, witty telegrams, eloquent letters, birthday cards, valentines, candy, and flowers. No; plain women often have a sex life. What they lack, rather, is a love life.
Vinnie has now reached an article in Vogue devoted to new ideas for children’s birthday parties, which arouses her professional dismay because of its emphasis on adult-directed commercial entertainment: the hiring of professional magicians and clowns, the organization of sightseeing trips, etc.—just the sort of thing that is tending more and more to replace the traditional rituals and games. Partly as a result of such articles, the ancient and precious folk culture of childhood is rapidly being destroyed. Meanwhile, those who hope to record and preserve this vanishing heritage are sneered at, denigrated, slandered in popular magazines. Woof, woof.
“Here’s your paper.” Vinnie’s seatmate holds out the London Times , clumsily refolded.
“Oh. Thank you.” To avoid further requests for it from other passengers, she places the newspaper in her lap beneath Vogue .
“Thank you. Not much in it.”
Since this is not phrased as a question, Vinnie is not obliged to respond, and does not. Not much of what? she wonders. Perhaps of American news, sports events, middlebrow comment, or even advertisements, in comparison to whatever paper he habitually reads. Or perhaps, being used to screaming headlines and exclamatory one-sentence paragraphs, he has been misled by the typographical and stylistic restraint of the Times into thinking that nothing of importance occurred in the world yesterday. And perhaps nothing has, though to her, to V. A. Miner, arf, arf, awooo! Stop that, Fido.
Setting aside Vogue , she unfolds the newspaper. Gradually, the leisurely Times style, with its air of measured consideration and its undertone of educated irony, begins to calm her, as the voice of an English nanny might quiet a hurt, overwrought child.
“You on your way to London?”
“What? Yes.” Caught as it were in the act, she admits her destination, and returns her glance to the story Nanny is telling her about Prince Charles.
“Glad to get out of that New York weather, I bet.”
Again Vinnie agrees, but in such a way as to make it clear that she does not choose to converse. She shifts her body and the tissuey sheets of the paper toward the window, though nothing can be seen there. The plane seems to stand still, shuddering with a monotonous regularity, while ragged gray billows of cloud churn past.
However long the flight, Vinnie always tries to avoid striking up acquaintance with anyone, especially on transatlantic journeys. According to her calculations, there is far more chance of having to listen to some bore for seven-and-a-half hours than of