doesn't give you some idea nothing will. Anyhow I'm sick and tired of this name Lulu, I'll give her another, more like her, Anna for example, it's not more like her but no matter. I thought of Anna then, I who had learnt to think of nothing, nothing except my pains, a quick think through, and of what steps to take not to perish off-hand of hunger, or cold, or shame,but never on any account of living beings as such (I wonder what that means) whatever I may have said, or may still say, to the contrary or otherwise, on this subject. But I have always spoken, no doubt always shall, of things that never existed, or that existed if you insist, no doubt always will, but not with the existence I ascribe to them. Kepis, for example, exist beyond a doubt, indeed there is little hope of their ever disappearing, but personally I never wore a kepi. I wrote somewhere, They gave me … a hat. Now the truth is they never gave me a hat, I have always had my own hat, the one my father gave me, and I have never had any other hat than that hat. I may add it has followed me to the grave. I thought of Anna then, long long sessions, twenty minutes, twenty-five minutes and even as long as half an hour daily. I obtain these figures by the addition of other, lesser figures. That must have been my way of loving. Are we to infer from this I loved her with that intellectual love which drew from me such drivel, in another place? Somehow I think not. For had my love been of this kind would I have stooped to inscribe the letters of Anna in time's forgotten cowplats? To divellicate urtica plenis manibus? And felt, under my tossing head, her thighs to bounce like so many demon bolsters? Come now! In order to put an end, to try and put an end, to this plight, I returned one evening to the bench, at the hour she had used to join me there. There was no sign of her and I waited in vain. It was December already, if not January, and the cold was seasonable, that is to say reasonable, like all that is seasonable. But one is the hour of the dial, and another that of changing air and sky, and anotheryet again the heart's. To this thought, once back in the straw, I owed an excellent night. The next day I was earlier to the bench, much earlier, night having barely fallen, winter night, and yet too late, for she was there already, on the bench, under the boughs tinkling with rime, her back to the frosted mound, facing the icy water. I told you she was a highly tenacious woman. I felt nothing. What interest could she have in pursuing me thus? I asked her, without sitting down, stumping to and fro. The cold had embossed the path. She replied she didn't know. What could she see in me, would she kindly tell me that at least, if she could. She replied she couldn't. She seemed warmly clad, her hands buried in a muff. As I looked at this muff, I remember, tears came to my eyes. And yet I forget what colour it was. The state I was in then! I have always wept freely, without the least benefit to myself, till recently. If I had to weep this minute I could squeeze till I was blue, I'm convinced not a drop would fall. The state I am in now! It was things made me weep. And yet I felt no sorrow. When I found myself in tears for no apparent reason it meant I had caught sight of something unbeknownst. So I wonder if it was really the muff that evening, if it was not rather the path, so iron hard and bossy as perhaps to feel like cobbles to my tread, or some other thing, some chance thing glimpsed below the threshold, that so unmanned me. As for her, I might as well never have laid eyes on her before. She sat all huddled and muffled up, her head sunk, the muff with her hands in her lap, her legs pressed tight together, her heels clear of the ground. Shapeless, ageless, almost lifeless, it might havebeen anything or anyone, an old woman or a little girl. And the way she kept on saying, I don't know, I can't. I alone did not know and could not. Is it on my account you came? I said. She
Gene Wentz, B. Abell Jurus