dead white. Old Meissen was carefully decorated, and this piece certainly was. Ornamental lace border on Ledaâs gown, a few scattered flowers in her hair. The feathering carefully detailed on the swanâs powerful outstretched wings. The colors were okayâno maroons or yellow greens, which were nineteenth-century introductions. So far everything checked out.
Then I saw. Ledaâs eyesâthey were blue. All the eighteenth-century Meissen figures had brown eyes.
âNew Meissen,â I admitted, and put the figurine back on Speerâs desk.
Speer pushed the photocopy of my evaluation toward me. âDo you see one word about eye color in there?â
He hadnât even looked at the paper; that meant he already had a copy. Telling me to bring in my evaluationâthat was a ploy to put me on the defensive. I read through what Iâd written and said, defensively, âYou know these reports canât mention everything about a piece. Mostly theyâre concerned with matters that might be considered suspect.â
âAnd blue eyes arenât suspect?â Speer snorted. âGood god, Sommers, even the rawest neophyte knows to look for brown eyes in old Meissen.â
I narrowed my own brown eyes and studied him. He was absolutely right: eye color was one of the first things you look for. It was such an obvious giveaway. So obvious, in fact, that even a furniture man knew to look for it. If I hadnât mentioned eye color in my evaluation, it was because thereâd been nothing unusual to mention. Which could mean only one thing: Speer had switched pieces on me.
He said nothing, watching me figure it out. Daring me to accuse him, to provide him with an excuse toâto do what? Careful .
I decided. âIâm sorry, Mr. Speer, I donât see how I could have overlooked that. Porcelains arenât really my fieldâif youâll remember, I was just helping out one day when Wightman was sick.â
âNo excuse, Sommers. I expect catholicity in my agents.â
âWell, then, I probably rushed the evaluation. Iâve had an unusually high number of them this past month. Not to mention cataloguing the Alice Ballard estate.â
Speerâs eyes were gleaming. âAre you saying youâre overworked?â
Enough was enough. âYes, I am. The Ballard estate should take precedence over all these other evaluations, but Iâve had one distraction after another to keep me from finishing the job.â
âHow far are you from finishing?â
âEnd of the week. Itâd be finished now if I could have given it my full attention.â
âThis week.â He seemed to think it over. âSommers, if you canât finish it this week, Iâll put someone else on it.â
I nodded. âI could use some help.â
âYou donât understand. Iâll put someone else in charge.â
No fun in tightening the screws if the guy youâre screwing doesnât know about it. I got the message, all right. I nodded curtly to Speer and got up to leave.
He pulled Wightmanâs trick of letting me get all the way to the door before throwing his last bombshell. âBy the way, Sommers, something a little more in your line has come in. A Mrs. Percy has what she calls an âearly Americanâ writing table she wants to sell. She says itâs two hundred years old. Run out and take a look at it, will you? June will give you the address. Iâd like an evaluation by five this afternoon.â
Look at this writing table. Finish that catalogue. Jump through this hoop. As I sleepwalked out I could hear Speer telling June to get Wightman on the phone.
June handed me an address card without looking up from the phone. Mrs. Percy of the âearly Americanâ writing table lived in Beaver Falls. An hour to drive there, another hour to find the house and make the evaluation, an hour to drive back, allow for traffic, then write