but she never could of done it, I know that now. I was just foolin’ myself. I didn’t have the money it takes to build a boat that can take the
Eclipse
.
“You give me that money, Mister York, and you’ve got yourself a partner. There’s your answer, sir. You want half of Fevre River Packets, and a partner who runs things quiet and don’t ask you no questions ’bout your business? Fine. Then you give me the money to build a steamboat like that.”
Joshua York stared at the big side-wheeler, serene and silent in the darkness, floating easily on the water, ready for all challengers. He turned to Abner Marsh with a smile on his lips and a dim flame in his dark eyes. “Done,” was all he said. And he extended his hand.
Marsh broke into a crooked, snaggle-toothed grin, wrapped York’s slim white hand within his own meaty paw, and squeezed. “Done, then,” he said loudly, and he brought all his massive strength to bear, squeezing and crushing, as he always did in business, to test the will and the courage of the men he dealt with. He squeezed until he saw the pain in their eyes.
But York’s eyes stayed clear, and his own hand clenched hard around Marsh’s with a strength that was surprising. Tighter and tighter it squeezed, and the muscles beneath that pale flesh coiled and corded like springs of iron, and Marsh swallowed hard and tried not to cry out.
York released his hand. “Come,” he said, clapping Marsh solidly across the shoulders and staggering him a bit. “We have plans to make.”
CHAPTER TWO
New Orleans,
May 1857
Sour Billy Tipton arrived at the French Exchange just after ten, and watched them auction four casks of wine, seven crates of dry goods, and a shipment of furniture before they brought in the slaves. He stood silently, elbows up against the long marble bar that extended halfway around the rotunda, sipping an absinthe while he observed the
encanteurs
hawk their wares in two languages. Sour Billy was a dark, cadaverous man, his long horseface scarred by the pox he’d had as a boy, his hair thin and brown and flaky. He seldom smiled, and he had frightening ice-colored eyes.
Those eyes, those cold and dangerous eyes, were Sour Billy’s protection. The French Exchange was a grand place, altogether too grand for his tastes, and for a fact he did not like to come there. It was in the rotunda of the St. Louis Hotel, beneath a towering dome from which daylight cascaded down onto auction block and bidders. The dome was eighty feet across, easily. Tall pillars circled the room, galleries ran round the inside of the dome, the ceiling was elaborate and ornamental, the walls were covered with odd paintings, the bar was solid marble, the floor was marble, the desks of the
encanteurs
were marble. The patrons were as fine as the decor; rich planters from upriver, and young Creole dandies from the old city. Sour Billy loathed the Creoles, them with their rich clothes and haughty ways and dark, contemptuous eyes. He did not like to go among them. They were hot-blooded and quarrelsome, much given to dueling, and sometimes one of the young ones would take offense at Sour Billy, at the way he mangled their language and looked at their women, at the disreputable, scruffy, presumptuous
American
ness of him. But then they would catch sight of his eyes, pale and staring and edged with malice—and, often as not, they would turn away.
Still, left to his own devices, he’d do his nigger-buying over at the American Exchange in the St. Charles, where manners were less refined, English was spoken in place of French, and he felt less out of place. The grandeur of the rotunda in the St. Louis did not impress him, except for the quality of the drinks they served.
He came there once a month, nonetheless, and had no choice about it. The American Exchange was a good place to buy a field hand or a cook, dark-skinned as you please, but for a fancy girl, one of the young dusky octaroon beauties that Julian preferred, you