Femme Fatale and other stories Read Free Page A

things, quite happily.
    â€œLet me make you a star, Mona.”
    â€œAre you my leading man?”
    â€œOur target demographic prefers to see younger men with the women. I just need to get some film of you to take to my partner so he’ll underwrite it. I have a very well-connected financial backer.”
    â€œWho?”
    â€œOh, I’ll never say. He’s very discreet. Anyway, he likes to know that the actresses are … up to the challenges of their roles. Usually a striptease will do, a little, um, self-stimulation. But it’s always good to have extra footage. I make a lot of films, but these are the ones I like best. The ones I watch.”
    â€œWell, then,” Mona said, unbuttoning her blouse. “Let’s get busy.”
    F ETISH ,
M ONA SAID TO HERSELF as she shopped in the Giant.
Fetish,
she thought as she retrieved her mail from the communal boxes in the lobby.
I am a fetish.
This was the word that Bryon used to describe her “work,” which, two months after their first meeting, comprised four short films. She had recoiled at the word at first, feeling it marked her as a freak, something from a sideshow. “Niche” had been so much nicer. But Bryon assured her that the customers who bought her videos were profoundly affected by her performance. There was no irony, no belittling. She was not the butt of the joke, she was the object of their, um, affection.
    â€œDifferent people like different things,” he said to her in Starbucks one afternoon. She was feeling a little odd, as she always did when a film was completed. It was so strange to spend an afternoon having sex and not be taken shopping afterward, just given a cashier’s check. “Our cultural definitions of sexuality are simply too narrow.”
    â€œBut your other films, the other tastes you serve”—Mona by now had familiarized herself with Bryon’s catalog, which included the usual whips and chains, but also a surprisingly successful series of films that featured obese women sitting on balloons—“they’re sick.”
    â€œThere you go, being judgmental,” Bryon said. “Children is wrong, I’ll give you that. Because children can’t consent. Everything else is fair game.”
    â€œAnimals can’t consent.”
    â€œI don’t do animals, either. Adults and inanimate objects, that’s my credo.”
    It was an odd conversation to be having in her Starbucks at the LeisureWorld Plaza, that much was sure. Mona looked around nervously, but no one was paying attention. The other customers probably thought Mona and Bryon were a mother and son, although she didn’t think she looked old enough to be Bryon’s mother.
    â€œBy the way”—Byron produced a small stack of envelopes—“we’ve gotten some letters for you.”
    â€œLetters?”
    â€œFan mail. Your public.”
    â€œI’m not sure I want to read them.”
    â€œThat’s up to you. Whatever you do—don’t make the mistake of responding to them, okay? The less they know about Sexy Sadie, the better. Keep the mystery.” He left her alone with her public.
    Keep the mystery. Mona liked that phrase. It could be her credo, to borrow Bryon’s word. Then she began to think about the mysteries that Bryon was keeping. If she had already received—she stopped to count, touching the envelopes gingerly—eleven pieces of fan mail, then how many fans must she have? If eleven people wrote, then hundreds—no, thousands—must watch and enjoy what she did.
    So why was she getting paid by the job, with no percentage, no profit-sharing? God willing, her health assured, she could really build on this new career. After all, they actually had to make her look older, dressing her in dowdy dresses, advising her to make her voice sound more quavery than it was. Bryon had the equipment, Bryon had the distribution—but only Mona had