the weather and the passing centuries to wear the road away.
Lolicia
H e came home from the studio just before eleven in the evening, his chinos crumpled, his hair sticking up, and the back of his shirt stained with sweat. He slung his coat over the back of the living-room couch, came straight into the kitchen, kissed Susan on the cheek and then went straight to the freezer and took out a frosted bottle of Stolichnaya.
He poured himself a large glass and drank it as if it were water. Then he poured himself another, and drank half of that, too.
âJesus, you donât know what a day Iâve had.â
âOh, yes?â Susan banged the pot sharply on the hob and he should have taken his cue from that.
âWe didnât finish shooting the last scene till gone nine.â
âYou could have called,â said Susan. âThe clam sauce is ruined.â
âHey, Iâm sorry. I had no idea it was going to go on so damned long. That scene when the girl gets strangledââ
âYou still could have called.â
âListen, Iâve said Iâm sorry. If the mealâs ruined Iâll take you out to eat. Iâll take you anyplace you want to go.â
âJeff, I donât want to go out to eat. Iâve spent most of the afternoon making all of this. It was supposed to be special. Iâve made you
frittata.
Iâve made you
pinzimonio
salad. What do you want me to do with it? Throw it all away?â
Jeff came over and peered into the saucepan. âLooks all right to me. Kind of gummy, maybe. But so what. We could call it
spaghettini alla gummy vongole.â
âThatâs it!â she said. She picked up the pan and turned it upside-down over the sink.
âFor Christâs sake, Susan, what are you doing? Listen, that was a joke, okay? Iâm sorry Iâm late and Iâm sorry I made a joke, but letâs forget it, okay? Letâs just have something to eat, okay? I could eat a horse. I could even eat a gummy
spaghettini.â
She dropped the pan with a clatter, and turned on him. âYou have been late every single night for the past three months â thatâs when youâve bothered to come home at all. Ever since you started this series I havenât seen you from one weekâs end to the next. You keep telling me youâve come alive. âOh, Susan, I feel twenty years younger.â Havenât you thought for one minute what itâs been doing to me? Havenât you thought for one minute how
boring
itâs been?â
âSusan, listen sweetheart, apart from post-production the series is finished. Itâs wrapped. We can go away for a couple of weeks. Up to Napa, maybe. Weâll visit your mother, weâll drink some wine. Well, maybe weâd better drink some wine
before
we visit your mother.â
Susan pulled off her butcherâs apron and threw it across the floor. âJeff, I donât find you funny any more. Youâve turned into somebody I donât even know and I donât even like. Even when Iâve seen you, youâve talked about nothing else but
Creatures
this and
Creatures
that and say, âhoney, Iâm so worried about
Creatures.â
Youâre selfish and obsessive and totally one-dimensional.â
Maybe it was sheer exhaustion after sixteen solid hours of shooting the last episode of
Creatures.
Maybe it was too much vodka on an empty stomach. Maybe it was simply the let-down of leaving the studio to whistles and cheers and coming back to someone who had no idea what he had managed to achieve. Whatever it was, he slapped her.
There was an extraordinary moment in which he felt as if he had stepped through a mirror. Out of one life and into another.
He said, âShit, Susan. Iâm sorry. Iâm really sorry.â
âYouââ she began, and she tried to slap him back, but he dropped his martini glass and caught hold of her wrists. The glass shattered