piano, forgetting Rod, forgetting the awful nightmare that had begun seven months before.
She sat down, flexed her fingers, and began Bachâs Italian Concerto. She loved the key of F. It was so elegant, much more so than the furnishing of this elaborate mansion. And Bach was so clean and predictable, every chord she played calling for the next and the next, in an even pattern, an even flow.
She didnât open her eyes until she reached the second movement. She couldnât play it. It was slow, haunting, sorrowful. She ached and hurt.
âWould you like something to drink, Elizabeth?â
She blinked up at Rod, who was standing beside the piano, merely looking at her. What did he think? she wondered. He always looked so cool, so in control, so impenetrable, with those dark eyes of his.
âPerhaps a glass of Chablis.â She saw Kogi fromthe corner of her eye already holding her glass of wine, and smiled.
âI forget how beautifully you play,â Rod said, sipping on his perfect martini. Of course Timothy always demanded the best. In his drinks, in his servants, in his lawyers. In his lawyers who defended his wife against a murder rap. âWonât you continue, Elizabeth?â
âThe second movement makes me sad,â she said, rose, and smoothed down her dark blue wool skirt.
He watched her accept the crystal goblet of white wine from Kogi. She had beautiful hands, her fingers long and slender. Strong hands, strong enough to stick a silver skewer . . . He watched her delicately sip the wine. If only Moretti knew that Elizabeth never drank anything other than wine, that she would never touch a daiquiri.
He wondered what she was thinking. Heâd wondered that so many times, not just during the past months, but since heâd met her before she married Timothy. She always eluded him, always escaped to her music or to her blank silences. But she said now, very quietly, âRod, who is Christian Hunter?â
Heâd expected her to ask him that much sooner. But Elizabeth was different. Heâd always despised her, not only for her differentnessâfor Godâs sake, a musicianâbut also for her serenity, her calmness, her ruthlessness.
She had been ruthless. Timothy was a goner from the first time heâd met her, from the first time heâd heard her play that haunting Chopin prelude at Carnegie Hall.
He wasnât so certain now.
He wanted to hate her. He wanted to believe her guilty. He wanted . . . He ran his free hand through his gray hair. It wasnât that she was a sex goddess, for heavenâs sake, or a woman who lured men with blatant offers. She was different, cool, reserved, kept toomuch to herself. He wondered if sheâd ever wanted to have sex. It couldnât have been that way with Timothy, sixty-four-year-old Timothy Carleton, who exuded raw power and arrogant presence. Here Rod was, only fifty-one, a young man compared to Timothy, yet sheâd never even hinted that he was anything to her but a friend, a slightly distant friend.
Old, old Timothy.
And sheâd married him.
He realized that she was waiting for him to reply, and for a moment he couldnât remember her question. Oh, yes, who was Christian Hunter? âDonât you know who he is?â he asked, watching her closely.
Elizabeth turned to look down at the street from the bow windows. For many moments she was silent. Even her body was completely still. How could such a serene woman be capable of cold-blooded murder? But heâd believed her guilty.
âI never saw him before today in that courtroom,â Elizabeth said, not turning. âBut surely you know that, Rod. Where did you find him?â
âIs that true, Elizabeth?â
He didnât want to hear the truth, he realized suddenly. He wanted to keep protecting her, as heâd done the past six months. He wanted . . .
âYou must know that Iâve never seen