wall, along with âSnow Whiteâ and âSleeping Beautyâ and âCinderellaâ and âLittle Red Riding Hood.â There were evil creatures in all those storiesâwicked queens, wicked ogres, wicked fairies, wicked stepmothers, ravening wolves. Their common wickedness was dark and mythological, but surely it mimicked real life, in which ravening wolves abounded. Annie picked up her straightedge, put a pencil in her teeth, and got to work.
By midmorning she had achieved the outline of the arcade. Six penciled columns rose on the wall, their center lines seven feet apart, their capitals still only a few ruled scrawls. Standing on a ladder with thumbtack, pencil and string, she traced five half-circles between them. Then, swiftly, she ran a line high on the wall between the columns, all the way across. It was the sea horizon.
At last, standing back, she looked up at her morningâs work. Her fingers were trembling. She had imagined it so many times, she had sketched it so often on paper, hardly daring to think there would one day be a real succession of round arches marching across a thirty-five-foot stretch of wall. Now the two-dimensional surface fell away, revealing a deep space beyond the room, a kind of porch or gallery opening on a mock outdoors. The penciled lines were so light, no one else would notice them, but to Annie the essential framework was there. The wall had become a not-wall. It was framed in solid elements and poised in open air.
There was a knock at the door. Simultaneously her new telephone rang. Annie froze, then picked up the phone, said, âJust a minute,â and went to the door.
It was a stranger, a guy in a baseball cap. He was juggling three pebbles, tossing them up, catching them neatly, his eyes darting after them, not looking at Annie.
She stared at him, too surprised to speak.
âI was just wondering,â he said, pocketing the pebbles, âif youâd like somebody to paint your window frames.â
âMy window frames?â Annie couldnât think. âExcuse me, thereâs someone on the phone. Wait a minute.â
âAnnie?â said the powerful voice on the line.
In spite of herself Annie felt a lurch of joy. âJack?â
âAnnie, look, Iâve got to talk to you.â
Her old grievances came flooding back. Jack was one of her post-divorce boyfriends. He had walked out on her three years ago to move in with a girl named Gloria. She couldnât forgive him. Warily, with her eyes on the stranger at the door, she said, âWhat is there to talk about?â The stranger had turned away. His jacket said WATERTOWN BRAKE AND MUFFLER.
âA thousand things. God.â Jack grunted with disgust. âLook, Iâll be out on Friday, okay?â
Say no. Hold out against him. âWell, okay,â said Annie.
She hung up and went back to the stranger. âLook,â she told him, âIâm not going to bother with the window frames now. Too many other things to do first.â
âWell, all right.â Smiling, he turned away. The pebbles reappeared. Annie could see them rising and falling above his head as he ambled down the walk, heading for the odd-looking vehicle parked in the driveway, a pickup truck with a wooden structure mounted on the back, a sort of gypsy caravan. A stovepipe stuck out of the roof.
Impulsively she called after him, âHow much would you charge?â
A couple of bananas appeared from nowhere and soared into the air. He named a reasonable price.
Annie laughed loudly and made up her mind. âWell, I donât see why not. When do you want to start?â
âRight now, if youâve got the primer. The wood has to be primed first.â
âWell, I could go out and buy some.â Annie looked uncertainly at her car.
âIâll wait.â He pulled a paper bag out of his pocket. âIâll eat my lunch down the hill.â
âFine.â