slime of desire that oozed down my right cheek. They, the bigger boys, had something else to give in return: books, calculators, CDs. All I gave them was the shadow of a body.
I am in permanent negotiation. My body is a stop-over. Entire sections have been explored. Over time, they blossom with burns and cracks. Everyone leaves some trace, marks his territory.
I am seventeen years old and I donât give a fuck. Iâm buying my future.
I am transparent. The boys look at me like they can see me inside out. The girls avoid me like a sickness. My reputationâs been sealed.
Iâm alone. But Iâve known for a long while the value of solitude. I walk straight ahead, untouchable. Nobody can read anything on my blank face, except what I choose to show. Iâm not like the others. I donât belong to Troumaron. The neighborhood didnât steal my soul like the other drones that live there. This skeleton has a secret life sealed in its belly. Itâs carved by the sharp edge of refusal. Neither the past nor the future matter; they donât exist. And the present doesnât either.
Eraser. Pencil. Ruler. Beginnings are always easy. And then we open our eyes to a bleak world, to a universe under siege. The looks of others, eyes that judge and condemn. Iâm seventeen and Iâve decided my life.
Iâm braving the reefs all around me. I wonât be like my mother. I wonât be like my father. Iâm something else, something not really alive. I walk alone, straight ahead. Iâm not afraid of anybody. Theyâre the ones who fear me, who fear what they can only guess lies beneath my skin.
The more they touch me, the more they lose hold of me. The ones who dare to look into my eyes feel dizzy. Theyâre so simple. The inexplicable frightens them. They have fixed ideas. A girl to marry, a girl to conquer and toss aside. Those are the only two categories they can understand. But I donât belong to one or the other. So they end up baffled and angry.
At night, I haunt the asphalt. Meetings are arranged. They take me, they bring me back. I remain cold. Whatever changes in me, itâs not the truest, innermost part of myself. I protect myself. I know how to protect myself from men. Iâm the predator here.
They take me. They bring me back. Sometimes, they rough me up. No matter. Itâs just a body. It can be fixed. Thatâs what itâs for.
I sidestep the traps and the obstacles. I dance in evasion.
Shadow or wing, what you were no longer is. You become something else. In Troumaron, a reflection follows you. It taunts you. It tells you youâre walking the wrong way. It transforms your surfaces, inverts your trajectory, reveals the other side of your silence. The paper boat is leaking everywhere and you donât know it. You watch as you sink but you donât see that itâs you. Erasers, papers, pencils, rulers, books, heart, kidneys, toes. One day, youâll see yourself in the mirror, and nothing at all will be yours.
You see a face congealed under its lies. You ask yourself where you went. You were looking for a keyâbut something had broken in.
CLÃLIO
Iâm Clélio. Iâm at war. Fighting everybody and nobody. I canât get away from my rage. Someday, I know it, Iâll kill someone. Dunno who. Maybe my parents, or some boss, or one of my guys, or a girl, or myself. Dunno who. Iâm Clélio. You know who I am, so donât you mess with me. You shitheads have no idea what anger is if youâve never met me.
Iâve done all sorts of jobs. The only one left is to kill someone. And then sometimes I sing. When I sing, people listen. Well, at least they stop. I stop their lives and their hearts. My voice pierces infinity, Saad told me. (He doesnât talk like anyone else here.) My voice makes metal shiver, apparently. The buildings stop crushing men, cement loosens its grip. Walls turn nostalgic. Girls go rosy. But I
JJ Carlson, George Bunescu, Sylvia Carlson