the next one quite gladly. They were like the jobs I took. All right for a bit and then you got fed up with them and you wanted to move on to the next one. Iâd gone from one thing to another ever since Iâd left school.
A lot of people disapproved of my way of life. I suppose they were what you might call my well-wishers. That was because they didnât understand the first thing about me. They wanted me to gosteady with a nice girl, save money, get married to her and then settle down to a nice steady job. Day after day, year after year, world without end, amen. Not for yours truly! There must be something better than that. Not just all this tame security, the good old welfare state limping along in its half-baked way! Surely, I thought, in a world where man has been able to put satellites in the sky and where men talk big about visiting the stars, there must be something that rouses you, that makes your heart beat, thatâs worthwhile searching all over the world to find! One day, I remember, I was walking down Bond Street. It was during my waiter period and I was due on duty. Iâd been strolling looking at some shoes in a shop window. Very natty they were. Like they say in the advertisements in newspapers: âWhat smart men are wearing todayâ and thereâs usually a picture of the smart man in question. My word, he usually looks a twerp! Used to make me laugh, advertisements like that did.
I passed on from the shoes to the next window. It was a picture shop. Just three pictures in the window artily arranged with a drape of limp velvet in some neutral colour arranged over a corner of a gilt frame. Cissy, if you know what I mean. Iâm not much of a one for Art. I dropped in to the National Gallery once out of curiosity. Fair gave me the pip, it did. Great big shiny coloured pictures of battles in rocky glens, or emaciated saints getting themselves stuck with arrows. Portraits of simpering great ladies sitting smirking in silks and velvets and lace. I decided then and there that Art wasnât for me. But the picture I was looking at now was somehow different. There were three pictures in the window. One a landscape, nice bit of country for what I call everyday. One of a woman drawn in such a funny way, so much out of proportion, that you could hardly see she was a woman. I suppose thatâs what you call art nouveau. I donâtknow what it was about. The third picture was my picture. There wasnât really much to it, if you know what I mean. It wasâhow can I describe it? It was kind of simple. A lot of space in it and a few great widening circles all round each other if you can put it that way. All in different colours, odd colours that you wouldnât expect. And here and there, there were sketchy bits of colour that didnât seem to mean anything. Only somehow they did mean something! Iâm no good at description. All I can say is that one wanted terribly to go on looking at it.
I just stood there, feeling queer as though something very unusual had happened to me. Those fancy shoes now, Iâd have liked them to wear. I mean I take quite a bit of trouble with my clothes. I like to dress well so as to make an impression, but I never seriously thought in my life of buying a pair of shoes in Bond Street. I know the kind of fancy prices they ask there. Fifteen pounds a pair those shoes might be. Handmade or something, they call it, making it more worthwhile for some reason. Sheer waste of money that would be. A classy line in shoes, yes, but you can pay too much for class. Iâve got my head screwed on the right way.
But this picture, what would that cost? I wondered. Suppose I were to buy that picture? Youâre crazy, I said to myself. You donât go for pictures, not in a general way. That was true enough. But I wanted this pictureâ¦Iâd like it to be mine. Iâd like to be able to hang it and sit and look at it as long as I liked and know that I