joke of the gods, that the Playerâs true role is to kick-start the apocalypse, that this is an endless cycle that the lines can only end by choosing not to Play. That the power is in their hands, if only they decide to use it.
It didnât occur to him that heâd be laughed out of the room.
Or that when they stopped laughing, they would strip him of his duties in the line and brand him as a heretic.
Itâs not just what they want to do to Aisling that scares him.
Itâs the worry that, fearing his influence, theyâll never let her see him again.
This patch of overgrown wilderness has lodged itself into his heart; this was where his eyes were first opened. Maybe, he thinks, it will be a lucky spot, and he can open Loreleiâs eyes too.
He holds the binoculars steady.
He waits.
And he sighs with disappointment, but not surprise, when Lorelei arrives at the coordinatesâflanked by his father and the La Tène Player. Sheâs betrayed him, just as he knew she would, and he canât even hold it against her.
Sheâs doing what she believes is best for her daughter.
He loves her all the more for that.
Declanâs set up a listening relay, a bug in the meadow so he can hear whatâs said down in the valley and speak if need be. He can hear his wifeâs confusion.
âWhere is he?â she says, panic in her voice. âHe said heâd be here. I donât understand. He wouldnât lie to me. Not about this.â
âOh, heâs here somewhere,â Pop says, gazing into the hills. His eyes seem to alight on Declanâs hiding spot, and though Declan knows itâs impossible, he canât shake the feeling that his father sees straight through the brush, is glaring straight at him.
âYou are, arenât you?â Pop says. âI know you, son. Youâre watching us. Listening to us. Donât blame Lorelei for wanting whatâs best for you. We all want whatâs best for you.â
âDeclan, if you can hear me . . .â Lorelei sounds hesitant, like sheâs starting to wonder whether Pop has gone as crazy as his son. âStop hiding and come deal with this like a grown-up. If youâll just be reasonableââ
She gasps as the Player seizes her. A gun materializes in the Playerâs hand, its muzzle pressed to Loreleiâs head.
Declan stops breathing.
Molly is only 17 years old, and sheâs known Lorelei since she was a child. Lorelei once babysat for her, and Molly in turn has babysat for Aisling. Molly and Lorelei have gone shopping together; theyâve ridden the carousel in Central Park together; theyâve sipped frozen hot chocolate and dunked churros into caramel sauce; theyâve watched terrible movies on rainy days; theyâve been the best kind of family to each other. And Declan has no doubt that if Molly thought it was necessary, she would pull the trigger without hesitation.
âYou know Iâll do it, Declan,â Molly says calmly. The listening device is sensitive: he can hear Loreleiâs rapid and frightened breathing. âYouâre the one who taught me how to be ruthless.â
Declan trained her to shoot. Declan was with her for her first kill. He steadied her, whispered in her ear all the lies he once believed, about how Playing called for blood, how killing could be righteous when in service to the line and the game. He created her, as his father had created him. Thousands of years of cruel lies, all come down to this: A killer he made. A woman he loves. A daughter heâs sworn to protect. A gun.
âIâm sorry, Declan,â his father says. Declanâs heart breaks at the soundof his voice, so disappointedâso hard. âYouâve left us no choice.â
âYou want her to live, show yourself,â Molly adds in a hard voice. âNow.â
âPlease,â Lorelei murmurs. âPlease, Molly, donât.â
He spent so many
Daven Hiskey, Today I Found Out.com