cutting into Louisaâs attempt at humour, exposing it for what it is. Once she has registered that Louisa has seen her point, she speaks.
âAnd how are things with Harry?â
âHeâs infuriating, as ever.â
âWhy, what happened?â
âOh, you know, itâs nothing really. Itâs me, I suppose, expecting something and then getting annoyed when he doesnât deliver. I just wish heâd back me up a bit more, thatâs all.â
âAnything specific? Can you give me an example?â
âI donât know. There was this thing about him going out for the afternoon and not coming back until, you know, late. Midnight, when I expected him around five. He didnât have his mobile with him.â She punctuates the statement with a laugh. âI mean thatâs the whole stupid thing about it. Here I am really trying to make some sort of connection with him and he doesnât even think to take his mobile with him when he goes out, so what chance do I have?â
âWerenât you worried when he didnât turn up?â
âNo, not really. I might have. I donât know. No, he can take care of himself.â
âSure.â
Louisa says nothing, shifts in her seat. She wonders how much more time she has.
âWhere was he?â
âItâs a whole long story. He got a fine in Fremantle for having his dog off the lead and then thought heâd pull into the pub to drown his sorrows, and a couple of my friends were there. So instead of letting me know, he sat drinking with them all night, while I was stuck at home on my own.â
âHave you talked to him about it?â
âI tried. Not really. Donât look at me like that, Lucy. Itâs not that easy trying to pin him down. Any hint of an in-depth discussion and he wriggles out of it. He thinks Iâm arguing with him. Iâm not. Iâm just trying to make some sort of connection. Talk to him heart-to-heart, you know, but he gets annoyed with me. I said I was going to discuss it further when I got home, but I donât think Iâll bother. I donât want to push it too far.â
âPush what?â
âMy luck, I suppose.â
Louisa closes off her face and her voice, ending the line of questioning. She glances at her wristwatch, crosses her legs and jiggles her dangling foot up and down in a kicking motion.Lucy stares at her foot. Louisa holds it still then replaces it on the floor.
âIâve got something else on this afternoon,â she says. âSorry.â
Lucy opens her mouth then changes her mind about what she was going to say. She looks concerned.
âDo you want to stop there for today?â
âI think so. Iâm so tired. I didnât get much sleep.â
âAre you still listening to your CDs?â
âNot really.â
âYou donât have to. Only if it helps.â
âI know.â
Lucy closes Louisaâs file and pushes it to the corner of her desk, stands and smooths out the wrinkles from her skirt. âYou have to work at it, of course.â Still smoothing.
âI love your skirt,â says Louisa.
Lucy looks pleased.
âThanks,â she says.
âI wish I could wear skirts like that.â
Lucy smiles.
âIâll be away for the next few weeks, as I said. You have the locumâs number if you need to make an appointment in the meantime, donât you?â
âIâll be okay.â
âHave you started doing your art yet?â asks Lucy as Louisa is leaving.
âIâve been thinking about it.â
âFantastic!â says Lucy. âNext step is to do something about it.â
Louisa drives from Lucyâs West Perth office to a vantage point in Kings Park where she can see the changes in the city as the sun descends, the peak-hour traffic builds, and the lights switch on. Despite the heat, the days are getting shorter.
A man walks past the front
Kody Brown, Meri Brown, Janelle Brown, Christine Brown, Robyn Brown