between eight and ten at night. They work forty hours a week, read the Sunday paper on Sunday, play chess on Tuesday nights. When their stomach growls, theylook at their watch to see if it is time to eat. When they begin to lose themselves in a concert, they look at the clock above the stage to see when it will be time to go home. They know that the body is not a thing of wild magic, but a collection of chemicals, tissues, and nerve impulses. Thoughts are no more than electrical surges in the brain. Sexual arousal is no more than a flow of chemicals to certain nerve endings. Sadness no more than a bit of acid transfixed in the cerebellum. In short, the body is a machine, subject to the same laws of electricity and mechanics as an electron or clock. As such, the body must be addressed in the language of physics. And if the body speaks, it is the speaking only of so many levers and forces. The body is a thing to be ordered, not obeyed.
Taking the night air along the river Aare, one sees evidence for two worlds in one. A boatman gauges his position in the dark by counting seconds drifted in the water’s current. “One, three meters. Two, six meters. Three, nine meters.” His voice cuts through the black in clean and certain syllables. Beneath a lamppost on the Nydegg Bridge, two brothers who have not seen each other for a year stand and drink and laugh. The bell of St. Vincent’s Cathedral sings ten times. In seconds, lights in the apartments lining Schifflaube wink out, in a perfect mechanizedresponse, like the deductions of Euclid’s geometry. Lying on the riverbank, two lovers look up lazily, awakened from a timeless sleep by the distant church bells, surprised to find that night has come.
Where the two times meet, desperation. Where the two times go their separate ways, contentment. For, miraculously, a barrister, a nurse, a baker can make a world in either time, but not in both times. Each time is true, but the truths are not the same.
• 26 A PRIL 1905
In this world, it is instantly obvious that something is odd. No houses can be seen in the valleys or plains. Everyone lives in the mountains.
At some time in the past, scientists discovered that time flows more slowly the farther from the center of earth. The effect is minuscule, but it can be measured with extremely sensitive instruments. Once the phenomenon was known, a few people, anxious to stay young, moved to the mountains. Now all houses are built on Dom, the Matterhorn, Monte Rosa, and other high ground. It is impossible to sell living quarters elsewhere.
Many are not content simply to locate their homes on a mountain. To get the maximum effect, they have constructed their houses on stilts. The mountaintops all over the world are nested with such houses, which from a distance look like a flock of fat birds squatting on long skinny legs. People most eager to live longest have built their houses on the highest stilts. Indeed, some houses rise half a mile high on their spindly wooden legs. Height has become status. When a person from his kitchen window must look up to see a neighbor, he believes that neighbor will not become stiff in the joints as soon as he, will not lose his hair until later, will not wrinkle until later, will not lose the urge for romance as early. Likewise, a person looking down on another house tends to dismiss its occupants as spent, weak, and shortsighted. Some boast that they have lived their whole lives high up, that they were born in the highest house on the highest mountain peak and have never descended. They celebrate their youth in their mirrors and walk naked on their balconies.
Now and then some urgent business forces people to come down from their houses, and they do so with haste, hurrying down their tall ladders to the ground, running to another ladder or to the valley below, completing their transactions, and then returning as quickly as possible to their houses, or to otherhigh places. They know that with each downward
Tim Lahaye, Jerry B. Jenkins