theosophy. She felt that her husband would surely be killed by the wild and barbarous rebels, and she prepared herself to get in touch with him in what she called the beyond. He came home six weeks after Adam was born. His right leg was off at the knee. He stumped in on a crude wooden leg he himself had carved out of beechwood. And already it was splitting. He had in his pocket and placed on the parlor table the lead bullet they had given him to bite while they cut off his frayed leg.
Adam’s father Cyrus was something of a devil—had always been wild—drove a two-wheeled cart too fast, and managed to make his wooden leg seem jaunty and desirable. He had enjoyed his military career, what there was of it. Being wild by nature, he had liked his brief period of training and the drinking and gambling and whoring that went with it. Then he marched south with a group of replacements, and he enjoyed that too—seeing the country and stealing chickens and chasing rebel girls up into the haystacks. The gray, despairing weariness of protracted maneuvers and combat did not touch him. The first time he saw the enemy was at eight o’clock one spring morning, and at eight-thirty he was hit in the right leg by a heavy slug that mashed and splintered the bones beyond repair. Even then he was lucky, for the rebels retreated and the field surgeons moved up immediately. Cyrus Trask did have his five minutes of horror while they cut the shreds away and sawed the bone off square and burned the open flesh. The toothmarks in the bullet proved that. And there was considerable pain while the wound healed under the unusually septic conditions in the hospitals of that day. But Cyrus had vitality and swagger. While he was carving his beechwood leg and hobbling about on a crutch, he contracted a particularly virulent dose of the clap from a Negro girl who whistled at him from under a pile of lumber and charged him ten cents. When he had his new leg, and painfully knew his condition, he hobbled about for days, looking for the girl. He told his bunkmates what he was going to do when he found her. He planned to cut off her ears and her nose with his pocketknife and get his money back. Carving on his wooden leg, he showed his friends how he would cut her. “When I finish her she’ll be a funny-looking bitch,” he said. “I’ll make her so a drunk Indian won’t take out after her.” His light of love must have sensed his intentions, for he never found her. By the time Cyrus was released from the hospital and the army, his gonorrhea was dried up. When he got home to Connecticut there remained only enough of it for his wife.
Mrs. Trask was a pale, inside-herself woman. No heat of sun ever reddened her cheeks, and no open laughter raised the corners of her mouth. She used religion as a therapy for the ills of the world and of herself, and she changed the religion to fit the ill. When she found that the theosophy she had developed for communication with a dead husband was not necessary, she cast about for some new unhappiness. Her search was quickly rewarded by the infection Cyrus brought home from the war. And as soon as she was aware that a condition existed, she devised a new theology. Her god of communication became a god of vengeance—to her the most satisfactory deity she had devised so far—and, as it turned out, the last. It was quite easy for her to attribute her condition to certain dreams she had experienced while her husband was away. But the disease was not punishment enough for her nocturnal philandering. Her new god was an expert in punishment. He demanded of her a sacrifice. She searched her mind for some proper egotistical humility and almost happily arrived at the sacrifice—herself. It took her two weeks to write her last letter with revisions and corrected spelling. In it she confessed to crimes she could not possibly have committed and admitted faults far beyond her capacity. And then, dressed in a secretly made shroud, she
Elizabeth Ashby, T. Sue VerSteeg