Drumbeats
aristocratic head was wrapped in a red-and-white checked scarf, and even in repose he was obviously tall. He looked every bit the romantic desert prince, like Rudolf Valentino in The Sheik. After greeting Danny in both French and the local language, the chief gestured for his visitor to sit beside him.
    Before Danny could move, two other boys appeared carrying a rolled-up mat of woven grass, which they spread out for him. Anatole scolded them for horning in on his customer, but the two boys cuffed him and ignored his protests. Then the chief shouted at them all for disturbing his peace and drove the boys away. Danny watched them kicking Anatole as they scampered away from the chief, and he felt for his new friend, angry at how tough people picked on weaker ones the world over.
    He sat cross-legged on the mat, and it took him only a moment to begin reveling in the moment of relaxation. No cars or trucks disturbed the peace. He was miles from the nearest electricity, or glass window, or airplane. He sat looking up into the leaves of the acacia, listening to the quiet buzz of the villagers, and thought, “I’m living in a National Geographic documentary!”
    Anatole stole back into the compound, bearing two bottles of warm Mirinda orange soda, which he gave to Danny and the chief. Other boys gathered under the tree, glaring at Anatole, then looking at Danny with ill-concealed awe.
    After several moments of polite smiling and nodding, Danny asked the chief if all the boys were his children. Anatole assisted in the unnecessary translation.
    “ Oui ,” the chief said, patting his chest proudly. He claimed to have fathered 31 sons, which made Danny wonder if the women in the village found it politic to routinely claim the chief as the father of their babies. As with all remote African villages, though, many children died of various sicknesses. Just a week earlier, one of the babies had succumbed to a terrible fever, the chief said.
    The chief asked Danny the usual questions about his country, whether any black men lived there, why had he visited Cameroon; then he insisted that Danny eat dinner with them. The women would prepare the village’s specialty of chicken in peanut sauce.
    Hearing this, the old sentry emerged with his cutlass, smiled widely at Danny, then turned around the side wall. The squawking of a terrified chicken erupted in the sleepy afternoon air, the sounds of a scuffle, and then the squawking stopped.
    Finally, Danny asked the question that had brought him to Kabas in the first place. “ Moi, je suis musicien; je cherche les tambours speciaux .” He mimed rapping on a small drum, then turned to Anatole for assistance.
    The chief sat up startled, then nodded. He hammered on the air, mimicking drum playing, as if to make sure. Danny nodded. The chief clapped his hands and gestured for Anatole to take Danny somewhere. The boy pulled Danny to his feet and, surrounded by other chattering boys, dragged him back out of the walled courtyard. Danny managed to turn around and bow to the chief.
    After trooping up a stair-like terrace of rock, they entered the courtyard of another homestead. The main shelter was made of hand-shaped blocks with a flat roof of corrugated metal. Anatole explained that this was the home of the local sorcier , or wizard.
    Anatole called out, then gestured for Danny to follow through the low doorway. Inside the hut, the walls were hung with evidence of the s orcier’s trade—odd bits of metal, small carvings, bundles of fur and feathers, mortars full of powders and herbs, clay urns for water and millet beer, smooth skins curing from the roof poles. And drums.
    “ Tambours !” Anatole said, spreading his hands wide.
    Judging from the craftsman’s tools around the hut, the sorcier made the village’s drums as well as stored them. Danny saw several small gourd drums, larger log drums, and hollow cylinders of every size, all intricately carved with serpentine symbols, circles feeding into

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