gaze down the dark sea. âIâve got so I like it here. Mostly.â
She smiled self-Âmockingly, toyed with her hair, and then turned back toward the beach. She started down the hill. I watched her descend into the mist, hoping sheâd turn and wave to me. She didnât.
When I lost sight of her, I turned and walked the other way, down into the valley.
I thought, The Valley of the Shadow of death ?
But there wasnât much shadow of death in the valley. Mostly, Iâve found, Garden Rest is a nice place. Except for the occasional murder.
Â
SECOND
âW hyâd I come here ?â I wondered, aloud, walking along the cobbled road. âWhy this place, particularly?â Birds were stirring in the trees shadowing the cottages. Ravens squawked, and small, brightly colorful birds trilled. Now and then, mixed with the birdcalls, some of the birds seemed to mutter actual words in shrill, faintly mocking voices . â Gettaclue. Gettaclue. Here I am. Here I am. Here I am . . . Openandsee . . . gettaclue . . .â My boot steps echoed along the quiet row of cottages. A few larger houses were set back from the rest, behind intricate wrought-Âiron fences tangled with flowering vines. The blossoms, red and blue, both familiar and unfamiliar in shape, seemed almost Day-ÂGlo in the morning light. The larger houses, partly coated in moss, looked old, more weathered.
I shook my head. Had Fiona said Iâd chosen this place? I had been an urban person all my life. New York, San Francisco, Los Angeles, Seattle, New Orleans, Las Vegas. This place was so rusticâÂit wouldnât be like me to choose a place like this, even subconsciously.
I felt a twinge, thinking of Las Vegas. What a lonely, stupid death it had been, choking to death in the muted blue light of a casino sign, the thin glow coming all sickly through my apartment window.
The blinking casino sign had spoken to me, as Iâd died. You gambled one more time, and youâÂ
âYou lost?â The question came from a man leaning against an unlit streetlight, hands in the pockets of his creased trousers. âEasy to feel lost when you first get here.â The streetlamp fixture looked old-Âfashioned, something from the gaslight era. The man was old-Âfashioned, too.
He wore a salt-Âand-Âpepper suit, cut 1930s, tight waist, a speckled bow tie, and spats. He had slicked-Âback brown hair, high forehead, a long nose, a sardonic curve to his mouth. He was chewing a fibrous plant stem, like a piece of green twine, the way a hayseed in an old movie chews straw.
I strolled toward him. There didnât seem much reason to hurry. I was dead, after all. (But urgency does come to men in the afterlife. It comes hard and fierce sometimes.)
âWhatâs up,â I said. âIâm not exactly lost but not exactly oriented. Iâm dead, is all. Nameâs Nicholas. Nick if you want. Whoâd you be?â
âNameâs Bertram.â He grinned. âBertram if you want. You donât have a cigarette with you, at all?â
I couldnât help laughing. âNo, havenât got one. Fiona asked, too.â
âFigures. I donât know why nobodyâs ever quite managed to make a damn cigarette here. Isnât like smokingâd kill us.â His accent seemed Texan, with you sounding like yew . He took a gooily-Âchewed stem out of his mouth and looked it over frowningly. âNo goddamn tobacco. Just these here frip things. Theyâre not bad, though. You get a buzz off âem. And we do have liquor of a sort. You wanta drink, hoss? You can get a drink any hour, day or night here. Buy you a drink at Brummigenâs or at the Sour Grapes. They got a pretty good imitation of wine there.â
âRelieved to hear thereâs liquor here. But uhâÂis that the first thing I should do, getting into townâÂgo to a bar? Not supposed to