heâd enjoy right now. âNot in the mood,â Luke said. He was still caught up in the pleasure of meeting Carrie Smith, a woman more beautiful than heâd ever expected to find here.
âIâm buying the beer, and Iâll throw in a pizza,â Whip said. He was short and stout, and he dyed his hair orange. The producer of Dangerous, he was also Lukeâs best friend. Fortunately theyâd never let their business relationship interfere with their personal one.
âIâd rather stay here,â Luke said. âRelax and chill out for a while.â
Whip shrugged affably. âThatâll work. I was tired of sitting around watching TV, and I figured you might be, too.â
âI went out for a ride,â Luke said. âKind of bored, you know?â
Whip nodded morosely. Luke unlocked the door and led the way through the cavernous and murky interior of the house, which was furnished in fragile antiques and dusty velvet draperies. Needless to say, the decor wasnât much to Lukeâs taste. Back in California, he lived in Malibu, where he enjoyed a wide-angle view of the ocean. He felt closed in here, confined.
They stopped at the bar off the living room, cadged a couple of beers from the refrigerator and made themselves as comfortable as they could on the wrought-iron benches that occupied the walled brick terrace. Fish in the koi pond swam to the edge, eyeing them curiously and no doubt anticipating a handout. Luke had been feeding them bread crusts every evening.
âSo, Whip, are we still going to start filming after Labor Day and finish before Christmas?â Luke asked.
âI hope so, as long as your costar behaves herself.â
âTiffany will be okay,â Luke said, though he was far from sure of that. Heâd worked with Tiffany Zill before and knew her to be emotionally frail, though she was a decent actress when she had a good director. At the moment, he wasnât interested in discussing his female lead. Heâd rather think about Carrie Smithâs wide blue eyes, the slim line of her throat, the high curve of her breasts shifting beneath that thin summery cotton bodice.
âWeâve still got a few problems to iron out on this job,â Whip said, propping his feet up on a nearby chair. âI worry about it.â
âFill me in,â Luke said. With a good bit of his own money tied up in the movie, he was interested in all aspects of production.
âIâm still bummed out that we canât build sets in the old roller-bearing factory,â Whip said. âIâm planning to ride over first thing in the morning to check on an old garage in Mullins. It has the requisite battered gas pumps and tires with no tread stacked out back.â He pulled a photo out of his shirt pocket and passed it to Luke. âCheck this out.â
Luke studied the picture, which showed a garage a lot like Smittyâs, though he was willing to bet it wouldnât have a proprietor as comely as Carrie. âWhere the hell is Mullins?â he asked, passing the picture back.
âHalfway to the coast,â Whip said. âAbout an hour away from Yewville.â
âThereâs a local garage that might do,â Luke said carefully. âI met the owner today.â
âYou mean that place downtown? Smittyâs?â
âThatâs the one.â
âItâs still a working garage. This place in Mullins is old. Abandoned. We could get it for practically nothing.â
âSince when did money matter?â
âSince Fleur Padgett decided to hire a whole bunch of locals for the racetrack scenes. She says it will make the movie more authentic.â Fleur was the casting director for Dangerous and known for her excesses.
âYancey Goforth used to hang out at Smittyâs. I met the owner today, and sheââ
âShe?â Whip said, narrowing his eyes. âSmitty is a she? â
âHer name