was ten minutes of seven. She combed her hair and freshened her lip gloss and walked across the courtyard to the front of the house.
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Donovan was waiting for her.
He sat by the burled wood bar, watching, as she approached the French doors from the courtyard.
She wore a slim black skirt, a button-down shirt with a few buttons left undone and a long strand of jade-colored beads around her neck. Round-toed high heels showed off her shapely legs, and her thick chestnut hair fell loose on her slim shoulders.
She pushed open one of the doors and stepped inside as if she owned the place. There was something abouther that had him thinking of old movies, the ones made way back in the Great Depression. Movies in which the women were lean and tall and always ready with a snappy comeback.
From that first moment in the afternoon, when Ben ushered her into the studio, he had feltâ¦annoyed. With her. With the project. With the world in general. He wasnât sure exactly why she annoyed him. Maybe it was all the energy that came off her, the sense of purpose and possibility that seemed to swirl around her like a sudden, bracing gust of winter wind.
Donovan didnât want bracing. What he wanted was silence. Peace. To be left alone.
But he had chosen her, sight unseen, by the promise in the work sheâd submitted, before it all went to hell. And he would, finally, follow through on his obligation to the Foundation people. And to her.
They were doing this thing.
She spotted him across the room. Paused. But only for a fraction of a second. Then she kept coming, her stride long and confident.
He poured himself a drink and set down the decanter of scotch. âWhat can I get you?â
âWhatever youâre having.â She nodded at the decanter. âThatâs fine.â
âScotch? Donât women your age prefer sweet drinks?â Yeah. All right. It was a dig.
She refused to be goaded. âSeriously. Scotch is fine.â
So he dropped ice cubes into a crystal glass, poured the drink and gave it to her, placing it in her long-fingered, slender hands. They were fine hands, the skin supple, the nails unpolished and clipped short. Useful hands.
She sipped. âItâs good. Thanks.â
He nodded, gestured in the direction of a couple of chairs and a sofa. âHave a seat.â She turned and sauntered to the sofa, dropping to the cushions with artless ease.
He put his drink between his ruined legs and wheeled himself over there, rolling into the empty space between the chairs. âYour rooms?â
âTheyâre perfect, thanks. Is it just you and Ben here?â
âI have a cook and a housekeeperâa married couple, Anton and Olga. And a part-time groundskeeper to look after the courtyard and the perimeter of the house.â He watched her cross her pretty legs, admired the perfection of her knees. At least she was a pleasure to look at. âDid you rest?â
âI had a shower. Then my mother called. She told me to tell you that Dax sends his regards and my sister says youâd better be nice to me.â
âYour sister and Daxâ¦?â
âThey were married on Saturday. And left on their honeymoon this morning.â
âI hope theyâll be very happy,â he said without inflection. âAnd then what did you do?â
âDoes that really matter to you?â
âItâs called conversation, Abilene.â
Her expression was mutinous, but she did answer his question. âAfter I talked to my mother, I called aâ¦friend.â
He took note of her hesitation before the word, friend. âA lover, you mean?â
She laughed, a low, husky sound that irked him to no end. A laugh that said he didnât intimidate her, not with his purposeful rudeness, nor with his too-personal questions. âNo, not a lover. Javier is a builder. A really good one. Iâve been working for him over the past year, on andoff. He also