such events? A gladiator kills his opponent, then searches for another. I’d noticed, and so had the crowd, that Volusus had deliberately avoided a certain fighter. I was intrigued. The remaining gladiator was a mere neophyte, a Dacian with only two or three victories to his name. Volusus was of the same nationality.’ She plucked at the grapes. ‘The Dacian was a retiarius, a net man, who had won his fights more by luck than skill. He came in stumbling. Volusus danced away. Time and again the net was cast only to miss. The crowd turned ugly. Volusus could have finished him off, you could see that. People were becoming impatient. They wanted an end, to stream out to the taverns and discuss the day’s events.’ She paused and watched a butterfly gently hover on the early afternoon breeze. ‘That’s what Volusus was,’ she declared. ‘A butterfly, floating in the arena. He was like a dream walker. The retiarius was exhausted. He made a final cast, stumbled and the net flew out of his hands. He lunged, but Volusus blocked the blow and sent the trident whirling out of his hand.’ Agrippina stretched out her arm, thumb extended. ‘“ Hoc Habet , Hoc Habet !” the crowd roared. “Let him have it, let him have it!”.’ She paused.
‘And?’
‘Volusus didn’t give the death blow. He just threw his shield and sword down and walked away. He was the darling of the mob but you know what they are like when the blood lust is up? “ Hoc Habet ! Hoc Habet !” came the roar, but they weren’t shouting for the Dacian’s death now: that little bastard had recovered himself. He picked up his trident and ran towards Volusus who turned, defenceless. He didn’t stop his opponent driving the barbed blade into his throat, and in a few minutes he was dead, blood pouring out of the wound. The crowd was hostile but the Dacian had won. He was given the laurels of the games. Afterwards I made enquiries and discovered that Volusus and the Dacian had once been lovers.’ Agrippina got to her feet. ‘I don’t need to tell you the moral of the tale, Parmenon. I can sympathise with Volusus.’
She slipped her feet into her sandals and picked up the empty wine goblet. ‘The day is drawing on,’ she murmured. ‘I must see what those lazy workmen are doing!’
Agrippina’s story about Volusus haunted me for the rest of that week. Nero might be Emperor of Rome but she had him in her power. She could, if she wished, strike hard and deep but she had lost the will. Perhaps something in that tangled mind of hers had cried ‘Enough!’.
The subject of a possible rapprochement with Nero dominated the conversation of the household. Agrippina, the consummate actress, played along with them. Members of Nero’s entourage visited the villa bringing tokens and gifts, which Agrippina seized eagerly, listening attentively to the news of her son. But, after that conversation with her in the garden, I saw it all through different eyes.
There was also talk of a great banquet. I wondered if the monster was preparing something spectacular: he was so good at hosting parties. On one notorious occasion, the guests were invited into a triclinium painted completely black. The walls, the floors, the ceiling, the tables, even the glass and silverware, were all as black as night. The chairs and couches were carved in the form of funeral slabs lit by those little lamps you see hanging above a tomb. Every dish, somehow or other, was tinted black. Negro boys, naked as they were born, served the meals. You can imagine the terror of the guests, who had been promised a supper party to remember. But Nero let them all return home unscathed. From what I could gather most of them were in a state of near collapse but he had kept his promise; they would never forget that supper party for as long as they lived!
Such horror stories, coupled with Agrippina’s fears, alarmed me. One morning, as she swam in the villa’s pool, I stood on the edge watching her beautiful