sublime aesthetics of the austere! All right, old man. Why not just give it a rest? The world doesn’t become any more beautiful because you dump your poetry on it. Not bigger either, or more important or better. All you do is crash into the world and bounce off. Like the sea hitting the rocks, your words burst into spray and flow back into you. If you had ten thousand years, maybe you’d be able to round off a little corner, but you won’t live that long. You least of all .
As for me, I’m keeping my mouth shut. I’m not talking about literature, I’m not talking about dying. We’re both making an effort. This is going to be a lovely vacation. I won’t provoke him, and he won’t let himself be provoked. Armistice .
Well, maybe vacation isn’t the word. The real reason why I’m here is the part. The part I want. The part I need. Lotte’s my last chance. I tore her picture out of the book and pinned it to the wall over the bed. I could look at her and look at her. Charlotte Hass, Lotte Hass. The Girl on the Ocean Floor. She’s wearing a red swimsuit and old-fashioned diving equipment and holding on to part of a sunken vessel. Her eyes are heavily made-up behind her diving goggles, and her long hair is spread out like a water plant around her head. She’s so beautiful. And strong. A female warrior. Home and children weren’t enough for her. She went looking for danger. Her diary’s as thrilling as a crime novel. In the 1950s diving wasn’t a sport, it was pioneer work. A test of courage for men, not for women. Lotte was the first girl who insisted on swimming with the fish. When Theo noticed the photograph over the bed, he bit his tongue .
Sven’s a beamish boy. Only two years younger than Theo, but built differently. With webbed feet and gills behind his ears. He doesn’t look at me. Doesn’t even see me. Probably because I’m not a fish. Which is what he’s supposed to turn me into. That’s what he’s being paid for, and he doesn’t come cheap .
Sven comes with Antje, who’s his—what? Assistant? Wife? Sister? Secretary? She introduced herself as “Sven’s Antje,” as though giving both her job title and her family status in one go. Sven, meanwhile, was staring into space. Antje apparently embarrasses him. She’s a little thing but quite a looker, she talks a lot, and she smells like Nivea. Blond as a Swede. She stays out of the water. She made us aware of that right from the start. The water, she said, is Sven’s “state of matter.” I think she probably meant “element” or maybe “business.” Something like that goes through the old man like a burning knife. If you can’t talk right keep your trap shut, that’s his motto. He can’t stand to be around people he thinks sound like children. On the other hand, he seems quite happy to gaze upon Sven’s Antje .
Lahora. The Spanish textbook in school had some strange sample sentences: My dogs are under the bed. I hear myself scream . Te llegó la hora—Your hour has come. Not another soul for miles. No automobile except for Antje’s, the car with the dog on the hood. Without a car, there’s no getting out of here. In short, except for us, the place is deserted. The old man liked that right away: “Somebody ought to set a story here,” he said. Go right ahead. Set a story. Write something instead of always just talking about writing something. I didn’t say anything .
The old man let his eyes rest on Antje’s Swedish bosom and listened to her attentively. Used toilet paper should be thrown not in the toilet but in the bucket next to the toilet, because otherwise the pipes get blocked. Electrical appliances are to be turned off whenever we leave the house. If we want warm showers, don’t take one right after another. Don’t drink from the taps. Don’t put any garden furniture on any of the watering hoses. When we want to log on to the Internet, tell Sven so he can adjust the satellite dish. No swimming, and no going for