animalâs whine nauseated him.
Then he caught a cab to the station, and boarded the third car from the end of the Sunday afternoon Privateer. Special new luxury express train, each car divided, European style, into compartments accommodating six people. One improves on the new by returning to the old.
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On time. We left the city heading northwest. Diddy in a window seat, finding what comfort he could for his narrow haunches on the prickly upholstery, occupied himself for the first hour with the heavy Times heâd bought in the station. No obligation to look. Besides, heâd taken this trip often, was familiar with the strip of sights available from the window as we bolted through the outskirts of the city. If each factory has a smokestack, if all the housing projects are unadorned boxes built of brick, if a power station is a power station, and a prison always confinesâwhat point is there in looking? To fabricate differences, discern nuances, is the job of those seeing for the first time. On other trips, Diddyâs highly compromised desire for confrontation had permitted more looking at the houses seen through train windowsâhouses he could accept and refuse, as in a daydream, without ever inhabiting them. This time, Diddy refused the organized looking offered by the window.
What else? All the ideas he ought to be thinking, typed out on legal-size yellow paper and clipped together, were stored in his briefcase on the rack over his head. The rest were unthinkable. Diddy settled behind the newspaper, grateful to be able to wall himself off from his traveling companions. A compartment is public space, open to anybody. Yet it has a certain intimacy, too. A maximum of six persons are shut up together, temporarily sealed off from everyone else. A little cell of travel. Forced neighboring, which increases the reign of order.
Diddy bored (now). Heâs finished the newspaper. Hungry, which always happens on trains. Restless. A conductor comes to collect everyoneâs ticket. Whose tickets? Our tickets. In an express train which is rapidly passing many stations without stopping, each station identical with the last, Diddy is cooped up among interchangeable people. But being a fellow traveler of life, incorrigibly hopeful though sharply disillusioned, he will make the effort to tell one from the other. He casts a moderate, diffused look at the others in the compartment: to stare wouldnât be polite.
Occupying the window seat opposite, a woman in a faded woolen suit, with untidy gray hair and small sharp eyes, mistress of two bulging shopping bags at her feet. Perhaps the bags contain food. But the journey wasnât that long. Gifts for rowdy indifferent grandchildren? Whatever the contents of the bags, Diddy guessed, this was a woman who tried too hard and habitually gave what was not wanted.
She is whispering with congested urgency to an extremely pretty girl on her right. The girl seemed to be listening, but it was as if something, perhaps the large sunglasses she wore, exempted her from having to reply. The lenses were greenish-black; so dark the girlâs eyes couldnât be seen, and Diddy wondered how well she could see through them. Thereâs a wall for you!
Next to the girl, on the outside seat opposite Diddy, was a paunchy cleric whose plump face had been lowered toward his breviary since the train started; his underlip trembled systematically as he read. A breviary canât be used up like a newspaper; itâs to read and reread forever. What a system! Could Diddy the Good ever have been a priest, with something worthwhile and always the same to read? Not the right sort of goodness, maybe. Too much Done-Done.
Sharing Diddyâs seat, on his left, was a ruddy, heavily built, ostentatiously clean-shaven man in a tweed suit, smelling of cheap after-shave lotion or eau-de-cologne. About Diddyâs age. Who had spread a large magazine on his knees at