they were after,â Rojano stated with conviction.
âThey werenât after Malerva?â
âThey claimed they were, but the ones they made sure were dead were the Garabitos, not Malerva.â
âYouâre saying that because of the shots to the head?â I asked.
âI say it because they were executed,â Rojano replied.
Acts of bloodshed have a peculiar kind of loquacity. Iâd seen it often as a police reporter. People get run over minus their socks but with their shoes still on, shots penetrate a lung but cause only minor hemorrhaging, suicides who fire a .45 at their forehead wake up at home the next morning with a new part in their hair. There was no reason for the Garabitosâ head wounds not to follow the coarse logic of bullets.
âThatâs what happens when people get caught in a crossfire,â I started to say.
âWhat crossfire?â Rojano insisted heatedly.
âYou said there was a shootout, and these people got caught in the crossfire.â
âThatâs what the witnesses said,â Rojano noted. âWhat I said was that Malerva was unarmed. Whatâs more, the Garabitos were also unarmed. So the question then becomes
which of the victims fired?
The Garabito kid? His mother? The woman with the food stall? Her daughter? Prospero Tlamatl? The unidentified guy? Tlamatl and the unidentified guy donât have twenty pesos in their pockets between them. Can you imagine them with pistols in their waistbands?â
What I needed to do was not to imagine them but to follow Rojanoâs logic. âSo according to you, what happened?â I asked.
âThe same thing that happened the following month in Altotonga,â Rojano said as he reached for the second file.
He unwrapped the (purple) crepe paper and spreadthe fileâs contents over the desktop. It was a collection of newspaper clippings that explained how a drunk had fired into the crowd in Altotonga during the festival in honor of the townâs patron saint on July 22, 1974. He wounded five and killed two before fleeing, Rojano explained, growing increasingly agitated. âHeâd fired at least a dozen times because he hit twelve targets,â Rojano declared. âUnheard of marksmanship for a drunk.â
âHe fled almost four blocks, and the mounted police who supposedly gave chase couldnât catch up with him. At the very least he was a surprisingly fast drunk,â Rojano surmised, âand they didnât catch him later either.â
He pulled a kerchief from his pocket and dried the sweat from his lips and cheeks.
âSo what happened?â I asked.
âWhat didnât happen. Read on.â
He handed me the autopsy reports on the cadavers. Certain passages were carefully underlined in red. In stilted coronerâs prose, the documents described the deaths of: Manuel Llaca, age 29, by shots from a .38 caliber pistol that struck him in the right groin area, the rib cage, and the left shoulder; and of the widow Mercedes Gonzalez de MartÃn , age sixty-four, from wounds to the abdomen, left arm, right gluteus and left temple (the latter enclosed in a double red circle). The report went on to detail the wounds inflicted on the other five casualties.
âCount the shots,â Rojano said. âTwelve shots counted one by one.â
I asked about the shots.
âThey show the same pattern as in Papantla,â Rojano said, drying his hands with the kerchief. âShooting breaks out, several people get killed, but only one gets the finishing shot to the head.â
âThe woman shot in the head?â
âThe woman they made sure was dead, yes.â
âWhat makes you think theyâre the same?â
âLook at the circumstances,â Rojano started to say. The facade of domestic tranquility was cracking, and his habitual vehemence began to show through. âA drunk fires twelve shots from a .38 revolver, kills two, and