Death and the Dancing Footman
became more normal over at Penfelton. The elder boy, William, was a quiet sort of chap, rather plain on the whole, not a great deal to say for himself; grave, humdrum fellow. Well enough liked, but the type that — Well, you can never remember whether he was, or was not, at a party. That sort of fellow, do you know?”
    “Poor William,” said Mandrake unexpectedly.
    “What? Oh yes, yes, but I haven’t quite conveyed William to you. The truth is,” said Jonathan, rubbing his nose, “that William’s a bit of a teaser. He’s devoted to his mother. I think he remembers her as she was before the tragedy. He was seven when she came back and I’ve heard that although he was strangely self-possessed when he saw her, he was found by their old nurse in a sort of hysterical frenzy, remarkable in such a really rather commonplace small boy. He
is
quiet and humdrum, certainly, but for all that there’s something not quite — Well, he’s a little
odd
. He’s usually rather silent but when he does talk his statements are inclined to be unexpected. He seems to say more or less the first thing that comes into his head and that’s a sufficiently unusual trait, you’ll agree.”
    “Yes.”
    “Yes. Odd. Nothing wrong, really, of course, and he’s done very well so far in this war. He’s a good lad. But sometimes I wonder… However, you shall judge of William for yourself. I want you to do that.”
    “You don’t really like him, do you?” asked Mandrake suddenly.
    Jonathan blinked. “What can have put that notion into your head?” he said mildly. He darted a glance at Mandrake. “You mustn’t become
too
subtle, Aubrey. William is merely rather difficult to describe. That is all. But Nicholas!” Jonathan continued, “Nicholas was his father over again. Damned good-looking young blade, with charm and gaiety and dash and all the rest of it. Complete egoist, bit of a showman, and born with an eye for a lovely lady. So they grew up, and so they are to-day. William’s thirty-two and Nick’s twenty-nine. William (I stress this point) is concentrated upon his mother, morbidly so, I think, but that’s by the way. Gives up his holidays for no better reason than that she’s going to be alone. Watches after her like an old Nanny. He’s on leave just now, and of course rushed home to her. Nick’s the opposite, plays her up for all she’s worth, never lets her know when he’s coming or what he’s up to. Uses Penfelton like a hotel and his mother like the proprietress. You can guess which of these boys is the mother’s favourite.”
    “Nicholas,” said Mandrake. “Of course, Nicholas.”
    “Of course,” said Jonathan, and if he felt any disappointment he did not show it. “She dotes on Nicholas and takes William for granted. She’s spoilt Nicholas quite hopelessly from the day he was born. William went off to prep-school and Eton; Nick, if you please, was pronounced delicate, and led a series of tutors a fine dance until his mother decided he was old enough for the Grand Tour and sent him off with a bear-leader like some young Regency lordling. If she could have cut William out of the entail I promise you she’d have done it. As it is she can do nothing. William comes in for the whole packet, and Nick, like the hero of Victorian romance, must fend for himself. This, I believe, his mother fiercely resents. When war came, she moved heaven and earth to find a safe job for Nicholas and took it in her stride when William’s regiment went to the front. Nick has got some departmental job in Great Chipping. Looks very smart in uniform, and his duties seem to take him up to London pretty often. William, at the moment, as I have told you, is spending his leave with his Mama. The brothers haven’t met for some time.”
    “Do they get on well?”
    “No. Remember the necessary element of antagonism, Aubrey. It appears, splendidly to the fore, in the Compline family. William is engaged to Nicholas’

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