angle away from the arch so that you couldn’t see into the dining room from there, and sat him down on that. There was a quilted afghan draped over the back; I shook the thing open and wrapped it around his shoulders, folded it over the front of him. It didn’t stop his shaking but it seemed to take the chill away, help him get his breathing under control.
I stood off at a distance, not looking at him because I didn’t want to face any more of his grief. Not looking at much of anything, just waiting.
There wasn’t much longer to wait. In less than a minute pulsing red light stained the curtains over the front window and I heard the cars—two of them—come to fast stops out front. The officers made some noise, more than they had to, getting out and coming to the house. Cops don’t show enough respect for death sometimes —the young ones, especially.
I went into the foyer to let them in.
The next couple of hours were bad, although not half as bad for me as they must have been for Tom Washburn. There was a vague sense of surrealism to the events, of déjà vu: I had gone through them all before, so many times that they blended together and became the same ordeal relived. Only the surroundings and the faces were different. The routine was the same. And so was the despair.
I didn’t know any of the uniformed cops, but one of them knew me by reputation, so there was no hassle. I answered their preliminary questions. I took them in and showed them what was left of Leonard Purcell. I answered more questions. Washburn had stopped crying at some point and had made an effort to get himself under control; but he stayed seated on the couch with the afghan wrapped tightly around him. I listened to him answer questions in a small, empty voice, but his responses were just words to me, without any real significance. I felt removed from everything, even more so than at other scenes like this because I didn’t know any of the principals, I wasn’t an integral part of it personally or professionally. Just a bystander, that was all—in the wrong place at the wrong time. The only things Washburn said that I could remember later were that he worked in a bank and that he’d gone to a movie tonight, gone alone because it was R-rated and Leonard didn’t approve of graphic violence in films.
The homicide team arrived; so did the assistant coroner and an ambulance and the lab crew. One of the inspectors was Ben Klein. Ben and I went back a long way, back to the days when I’d been on the cops myself; he and I had once shared a black-and-white out of the Taraval station. I repeated to him what had happened here, and answered his questions, and he told me to wait in the kitchen in case he needed to ask me anything else.
But I didn’t wait in the kitchen: I could still smell the blood from in there. I went out into the back yard, but that wasn’t the place for me either. Half a dozen neighbors were grouped in the alleyway, gawking the way they do, and the guy in the bathrobe was again hanging out of his window next door. One of the people in the alley called out to me, “What happened in there? Was somebody killed?”
Yeah, I thought, somebody was killed. I went back inside without answering and found a chair on the laundry porch, near the washer-and-dryer combination, and did my waiting in private.
Nobody bothered me for half an hour or so. Then one of the lab technicians came out and seemed surprised to find me sitting there in the shadows. He located the light switch and flipped it on with a knuckle, so he wouldn’t smudge any prints that might be on it.
I said, “You want me out of the way?”
“Be easier to work.”
“Sure.”
I walked outside again. The guy was gone from the window next door; I’d have bet money he had come outside himself, finally, to see if he could get a better look at things. The other neighbors were still in the alley, but a couple of uniformed officers were questioning them and nobody was