where the âtroopsâ had lain before rising. âJust mud.â
âIf only I didnât have to play a Yankee,â he said, grinning.
âRemember the guy who played Robert E. Lee for the flashback scene?â Charlie asked. âHis great-great-grandfather was a Union general. Thatâs the biz. Around here, history is especially near and dear to us, thatâs all. Anyway, this movie is contemporaryâthese stupid shoes Iâm running in are far too contemporaryâbut I love that the ghosts from both armies rise up to save the heroine from the bad guys.â
âI like it that we get some of the soldiersâ past, too. Itâs really sad, what with the captain killing himself,â Jimmy said.
âThe captain was fighting a terrible fever. He wasnât in his right mind. I forget the statisticsâmy dad could tell youâbut more soldiers died of sickness and infection than gunshot, cannon fire or bayonet.â
âI knowâIâve played a surgeon in a few reenactments.â
âOh, yeah. Nurse Moreau, here,â Charlie said. âI think thatâs why people keep coming to reenactments, because of the human side of war. I mean, the generals who fought each other were often friendsâsome of them had studied together at West Pointâor even family. No matter how you look at it, the Civil War was probably the most heartbreaking era in this countryâs history. Iâm so happy we didnât live back then.â
Jimmy grinned. âI agree, and I actually love the point Brad is making with this movie. You know, that people are people, flesh and blood, beating hearts, the same desire to find love and happiness. There may be a constant tug-of-war between environmentalists and oil companies, but I love how he doesnât make everything black or white.â
âI love Bradâs script, too, especially the way he shows how the Confederate and Union soldiers found common ground before they died, and then their ghosts work together to save me from being killed.â
Jimmyâs grin disappeared. âSpeaking of which, did you hear about the murder?â
âWhat murder?â Charlie said. âWhen?â Sheâd been in bed early the night before, because her call that morning had been at the crack of dawn, so they could film the just-completed scene when sheâd confronted an oil exec and a state senator after discovering the oil exec had bribed the senator to let him drill where his efforts would destroy the water source for their fictional town of Mary Elizabeth. That had led to tonightâs scene, with her on the run from an oil exec and a crooked senator.
She hadnât seen any news before bed, and she hadnât had time to catch any that morning, either.
âThey havenât said what happened yet. Only that a man was murdered. He was from Baton Rouge, and I feel like we might know him, because he was a reenactor, too. His name was Albion Corley. A nice guy, they said on the news.â
The name sounded vaguely familiar to Charlie. She wasnât sure why. Maybe heâd been someone sheâd met through her father, who was often brought on as a consultant for the local reenactments.
âWhere did it happen?â Charlie asked. âWas it anywhere near here?â
âBetween here and Port Hudson. His body was found just outside an old family cemetery, poorly buried under less than a foot of earth.â
âHow awful,â Charlie said, genuinely dismayed. This was a small, close-knit area. The population of St. Francisville was under two thousand. They were just over thirty miles north of Baton Rouge. Of course, the population there was growing and spreading out. Still, murder wasnât common around here.
Ten years ago, yes, there had been a local serial killer, but heâd been crazy, plus theyâd caught him. Heâd killed nine people; heâd nearly killed Charlie. Ethan