known what was going to happen, because he started to writhe.
âOh God, no.â
The child inside her womb began to kick as she tickled his balls with my claw.
âPlease, baby, no.â
She ran me between his legs ...
âNo! Stop! Nooo!â
. . . and back between his cheeks.
âAnd endangering our child is something you canât live with,â she said. He screamed. The baby punched at her womb as if trying to escape. She jerked me forward so that my claw hooked on his balls and tore them from their home. Warm, wonderful blood spurted on me as the useless sacks fell away. The sticky wetness poured down my shaft and onto her hand.
He continued screaming, but neither of us cared. Desire ruled us both. She lifted me high, bloody rivulets running down her arm. His skull caved under a stroke weâd perfected together, and I entered the soft gray matter beneath.
His screaming stopped as suddenly as her orgasm exploded upon us.
âOnly we exist,â she gasped, breathless, her hand resting gently above our child.
M ood Eleva tor
David Benton
and
W. D. Gagliani
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T he brownstoneâs exterior was classic, if a bit tarnished, but from the moment Susan and her husband entered the lobby, she didnât mind at all. Each of the five floors had been split into two apartments sometime in the past forty years, but it didnât matter because, even so, now they would have more Manhattan space than any three of their friends combined. The rent was steep, of course, but now that Artie booked regular gigs both with his band and as a solo act in Village coffeehouses, and her own salary had recently risen to a more comfortable level, they would make it.
Susan sighed as they waited in front of the elevator for the building manager to show them around. He was late, which didnât inspire much confidence in his managerial skills.
She pondered their situation. Sure, she wasnât burning up the advertising-business ladder or anything like that, but her boss at the agency had taken a liking to her, spotting her talent and nurturing her past several peers. Well, true, Susan had taken to wearing tight sweaters and short skirts, often made of supple black leather, but that was her style, and she was finally able to afford it. And if she tended to leave a few of the top buttons undone on her blouses, that was because the office was always boiling hot, wasnât it? The lacy black bras she sometimes wore under those light blouses were just as much an advantage with clients as they were with Harrison Stims, her boss, whose ad agency had developed a reputation for quick and innovative work. Susan was part of that reputation, and she was proud to have her hard work rewarded with more money and a better office, right next to Harrisonâs. Thanks to her advancement, this apartment wasnât out of their reach anymore.
She took Artieâs hand in hers and squeezed it, raising her eyebrows and hoping to turn his perpetual frown into something like a smile.
âYou should be happy,â she whispered. His rough hand in hers didnât respond to the pressure. âThis is a great place.â
âWe canât afford it,â he said. âWeâre going to have to stop eating out. And we donât cook.â
âIâll take cooking lessons.â
âSure. Right.â
âWeâll manage. My starâs rising at Stims, so itâll get even better.â
âYeah, I know.â
âYouâll get more gigs.â
Artie frowned. They both knew he could gig more if he was willing to join a cover band. He wasnât.
Susan shook her head. He just didnât get it.
There was no going back to their old studio walk-up, where you could sit on the pot and make yourself coffee at the same time. Where the heat was more clanging sounds from the registers than actual hot air. Where their friends had to visit in stages because there was only room