beenappointed Ethan’s official driver. Luc had outfitted Ethan with all the necessary perks, including the car, which was equipped with a complete security system, a small arsenal, and a comm center.
“Luc called,” Brody said, pivoting smoothly to open the door, one hand on his tie as he waited for Ethan and me to climb into the backseat. He closed the door with a solid thud, then rounded the carand slid inside onto the driver’s seat.
The car was comfortable, and I appreciated that Ethan had extra security, but I missed Moneypenny, my vintage Mercedes convertible. She was currently parked in the basement of Cadogan House, weeping from neglect. I missed the freedom, the quiet, the solitude of a good long drive—as most drives anywhere in Chicago tended to be.
Unless Brody was driving.
“May I?” he asked, meeting Ethan’s gaze in the rearview mirror, not doing a very good job of fighting back a smile. Brody hadbeen a new guard, and he was still pink around the edges. But he did have one particularly enviable skill.
The boy could handle a car.
He was Chicago’s version of the Transporter—master of the smooth ride, but equally adept at weaving and dodging through Chicago’sgnarly traffic. Luc had given Brody a dressing-down the first time he’d ridden with him. But when the time came to assign Ethan a driver, he turned to Brody first.
“If you can get us there in one piece,” Ethan said, and managed not to flinch when Brody dashed into traffic like a cheetah in pursuit.
Brody just avoided nicking a cab, then slipped smoothly into a gap in the other lane.
I’m not sure when I’m going to get used to this,
Ethan said silently, using the telepathic connection between us.
You’re just irritated you aren’t the one driving.
I have a Ferrari for just such occasions. And speaking of occasions, what was Mallory’s and Catcher’s production about?
She’d looked upset.
I’m not sure,
I admitted.
But if it was really bad news, I don’t think she’d havearranged a picnic.
There were plenty of milestones that might merit a picnic, but I wasn’t sure they’d put that look on her face.
I’ll call her,
I promised,
and ferret out the truth.
But for now, let’s deal with vampires.
Chapter Two
DEAD SPIN
F ifteen minutes later, a miraculous amount of time for Chicago, Brody turned off Woodlawn, tires squealing as he veered toward the House, its white stone glowing beneath heavy moonlight.
Media vans clustered outside the tall iron fence that bounded the House’s large grounds, theirantennas extended, reporters and cameramen on the sidewalk with equipment in hand.
The gate in the fence was closed—something I’d rarely seen—the black-clad human guards we hired out to protect the House staring down the reporters with open malice that made me appreciate them even more.
Our wealthy Hyde Park neighbors stood on their stoops or porches and stared grimly at the activity,probably already composing their letters to the editor—or to Ethan—protesting late-night vampiric shenanigans.
I sent Luc a message, advising him we’d reached our destination, as Brody pulled the car to a stop beside the nearest van.
Ethan was out of the car before we could stop him. As Ifollowed him, scabbarded katana in hand, a red bus with VAMPIRE TOURS OF CHICAGO in white lettersacross the side rolled slowly down the street, tourists gawking out of windows, the driver’s narration ringing through the darkness.
“. . . Cadogan House, the city’s second-oldest House, behind Navarre. And, ladies and gentlemen, grab your cameras, because that’s Ethan Sullivan and Merit right there on the street!”
I waved politely for the camera flashes and shouts from tourists—no pointin making things worse—but muttered a curse as soon as my back was turned. “Keep the bus moving,” I told Brody when he met me on the sidewalk. “Let’s not drag the tourists into whatever this is.”
Brody nodded, jogged toward the bus, and